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Tin Angel Records


BESIDES his other bow-strings playing in Toronto power-poppers Bunny and the heart-hookin’ bubblegum fun of The Bicycles, Toronto’s Drew Smith also fashions a lovely ambient synthpop under his birth name: dreamy, fun, blissful, and very much of an effect with Montreal’s Afternoon Bike Ride. It’s sorta candyfloss brittle and ice-melt pure and futuristic and just …

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DAVID COMO, the Canadian musician who hides his considerable musical light under the Sing Leaf bushel for us, the recipients of his off-kilter, psychedelic synth-folk joy, has today dropped a final taster song for his new album, Not Earth, which will be released on Friday week. He’s been dropping soothing, spacey little gifts from Not …

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I knew ‘Perfect Abandon’ would sound at its best live: Tom Brosseau and band did not disappoint. Wilton’s Music Hall played host to a beautiful evening of otherworldly country and folk, blending most of the new record with one or two cuts from preceding release ‘Grass Punks’, and a couple of other, older treats.  Everyone was on …

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Brooklyn based duo, Opal Onyx, are one of the bands at the forefront of the new wave of electronic-experimental acts to surface from the city’s underground scene. Opal Onyx create a sound made up of reverb loaded guitar, the resonance of a cello and captivating, slightly haunting vocals all layered above selective sampling, and some …

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14th July will see the latest release from Coventry art/synth pop quartet Batsch. The band –  Mason Le Long, Joe Carvell, Matt Rheeston and Andy Whitehead do a mean line in groove, laying down some beautifully melodic and memorable ones in their recorded work to date, taking the lead from the likes of Chic and …

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Outside it’s a beautifully bright Sunday lunchtime, but chill in the shade.  Indoors, in the snug of Paper and Cup, it’s cosy warm. Tom Brosseau, his friend Eva, his manager Mary Jones, and I are happily ensconced in Calvert Street, E2, about to reap the rewards of the coffee machine currently threatening to drown out …

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There are certain records that seem like they are nurtured, almost organically, like a gardener in his allotment allows things to grow. North Dakota songman Tom Brosseau’s new record, his first in five years, but his seventh overall, certainly has that feeling about it. That was perhaps expected in his music to a certain extent. …

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