Thrill Jockey
Album Review: Big|Brave – ‘A Chaos Of Flowers’ : The Montreal rock trio craft a post-metal touchstone.
Ever since Big|Brave‘s core members Robin Wattie (vocals/guitar) and Mathieu Ball (guitars) experienced a ‘loud can be quiet’ epiphany over a decade ago, ditching the acoustics and plugging in, their elemental sound has set the aerobatic thrill of Wattie’s singular voice within a swirling storm of riffs, distortion and pummelling rhythms. In some ways their …
Track/Video : Post-metal ground-breakers BIG|BRAVE preview the poetic ‘canon: in canon’ from new album ‘A Chaos Of Flowers’
So the release of the Montreal post metal unit BIG|BRAVE’s eighth album ‘A Chaos Of Flowers’ is arcing steadily towards a conclusion (out 19th April via Thrill Jockey Records). This is a band whose momentum is grounded in consideration and integrity, no quick wins, no sell-outs, who’ve evolved their own unique approach to slow core, …
Album Review: The Body & Dis Fig – ‘Orchards of a Futile Heaven’: One extraordinary partnership delivers an experimental doom statement piece.
For seminal Portland doom metal duo The Body, co-working with other musicians has long been part of their modus, ensuring their music never stands still. Alongside the influential releases carrying ‘The Body’ nameplate, Chip King (guitars etc) and Lee Buford (drums etc) have unleashed around fifteen collaborative albums since 2011. Recently these efforts have diverged …
Track/Video : Heavy doom protagonists The Body & Dis Fig preview new collaborative album with the explosive ‘Dissent, Shame’.
‘Collabs’ – are they anything more than product placement these days? Well in some worlds driven less by the algorithm, collaboration still has a meaning and a purpose. Step forward the indispensable Thrill Jockey Records and news of an incoming album ‘Orchards of a Futile Heaven’ due 23rd Feb, from the artistic coupling of The …
Album Review: BIG|BRAVE – nature morte : a profound, powerful post-metal statement.
If nothing else the release of nature morte, the sixth album from the Montreal post metal unit BIG|BRAVE, is a testament to the band’s stamina and stoic dedication to their work. Exploring the challenging frontiers of drone-shaded, slow core, electric rock since 2014 and still discovering cracks of inspiration is a tough pursuit but that’s …
See: The acid prism of Plankton Wat’s ‘Modern Ruins’: a delicious psychedelic instrumental response to our fracturing world
DEWEY MAHOOD, the atmospheric psychedelic guitarist who released his twelfth album as Plankton Wat for Thrill Jockey, Future Times, in late February, has dropped the shroom-surreal video for one of that excellent album’s standout tracks, “Modern Ruins”, a track all garlanded about with echo and twang-shimmer and flutes – you can watch that below. The …
News: Kid Millions and Mouse On Mars’ Jan St. Werner announce exploratory album for Thrill Jockey; hear ‘Sorrows And Compensations’
IF YOU like your experimental tunes wholly exploratory and improvisational, then the news that Kid Millions, known elsewhere for his work with Man Forever and Oneida, and Mouse On Mars’ Jan St. Werner have got together to shake down some music caught in the moment is something to put a smile on your face. They’ve …
News: Marisa Anderson and William Tyler announce an album together for Thrill Jockey; hear the title track, ‘Lost Futures’
TAKE two of the best instrumental guitarists currently working in instrumental Americana, Marisa Anderson and William Tyler; put them together in a studo; press record. It’s a simple idea, but an idea as brilliant as the results. In some ways it’s a surprise the two haven’t married their winding, mesmerising aesthetics before. In fact they …
Track: Mouse On Mars – Artificial Authentic
Mouse On Mars, the visionary electronic duo of Jan St. Werner and Andi Toma, have shared their new single ‘Artificial Authentic’, taken from their forthcoming album AAI (Anarchic Artificial Intelligence), out Feb. 26th via Thrill Jockey Created through the development of new technologies that warp the text and voices of Chude-Sokei and DJ/producer and programmer Yağmur Uçkunkaya into playable instruments. The Duo have …
Album Review: The Body – I’ve Seen All I Need To See
Through harrowing combinations of noise, doom, darkwave, industrial, and sludge metal, The Body has proven themselves as a well-equipped vacuum of all things dismal and horrific. A freshman listen of such tumultuous viscosity can prove the tenacity of one’s eardrums. Equated to be such heavy hitters, both in popularity and audio presentation, they’ve garnered a …