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Sharon Van Etten


Album Review: Impulsive Hearts – Cry All The Time

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The magnificent Sharon Van Etten is back after an absence, but this time with a new band. Sharon Van Etten & The Attachment Theory have just announced their self-titled debut album, out on 7 February 2025 via Jagjaguwar, and released the lead single/video, ‘Afterlife’. Van Etten says of the new project, that sees her for …

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The debut album from maeve & quinn – the Chicago/Alaska duo of twin sisters Maris & Bryce O’Tierney – is seriously good and an absolute must for any folk-pop fans, especially since it tips its hat to the likes of Sharon Van Etten, Snail Mail, Maggie Rogers and Big Thief; you know the vibes – …

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It’s been a little bit since we’ve heard from twin sisters Maris and Bryce O’Tierney, otherwise known as maeve & quinn, but they’ve been busy. It’s coming up on two years since the Anchorage-based pair last released something, namely the Star-Crossed EP, but until now we’ve only been offered glimpses of what they were capable …

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Sharon Van Etten declared that this was the biggest gig she had ever played! The audience responded by continuously cheering for a good 2-3 minutes, a demonstration of how far she has come and how special she has become in the hearts of her fans in Europe. Her first tour (like many) since 2019 with …

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The Velvet Underground are of course every indie music fan’s favourite band – the band that launched a thousand musical careers. A new tribute album from Verve Records, ‘I’ll Be Your Mirror: A Tribute to the Velvet Underground & Nico’ with tracks from Iggy Pop & Matt Sweeney, St. Vincent & Thomas Bartlett, Sharon Van …

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‘Cry All The Time’, the new album from Chicago band romantically named Impulsive Hearts is an instantly adorable release that captures an indie low fi dynamic adorned by brilliantly exotic instrumental flourishes. The album is exemplified by singer Danielle Sines’s gorgeous expressive voice – loaded with yearning and melancholia, melodic and evocative that pours over …

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In the creaky, weary, glorious old Odeon Theatre in Hobart, Tasmania, Sharon van Etten made an explosive, incandescent start to the one of the most brilliant festivals in the world today. Her voice, incredible on record, is extraordinary live: ranging from operatic, soaring highs in ‘No-one’s Easy to Love’ to growling exhortations in ‘Seventeen’ where …

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