Posts in tag

Sarah Records


So we all know (well, I do anyway) that indie pop royalty Amelia Fletcher and Rob Pursey, who have between them (and together) an extensive cannon behind them, including Heavenly, Marine Research, Talulah Gosh, Tender Trap – and more latterlyThe Catenary Wires and Swansea Sound, have started a label Skep wax. We’ll out for pre-order …

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Here at Backseat Mafia, we’re totally cross genre. It’s how we like it. So you’re just as likely to see Deep House followed by Death Metal followed by neo-jazz or something. BUt we do have our favourites, and over the years, Sarah Records has always found its place on Backseat Mafia. Formed by Clare Wadd …

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14 Iced Bears: ‘14 Iced Bears’ ( Thunderball Records 1988 )  “Only the dust remains…” Background Formed in 1985, 14 Iced Bears released three excellent records on the short lived Frank label before  moving to Sarah Records in 1988.There they released a three track 7” single ( two songs of which also appeared on the …

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Out right now as part of the brilliant Optic Nerve Sevens 2.0 reissue series is this rather lovely slice of jangly indie pop from Australia’s Even as we Speak. After releasing a run of singles in their native Australia on labels such as Phantom and Big Home productions – the latter providing a home for …

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Even As We Speak are a Sydney band that formed in the mid-eighties and, after gaining a following in the Australian indie scene, eventually gained the attention of the legendary John Peel on BBC Radio 1 and airplay for their single ‘Goes So Slow’. This resulted in their signing by the iconic UK Sarah Records …

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It could well be that The Orchids passed you by. The Scottish five piece James Hackett (vocals), John Scally (guitar), Chris Quinn (drums), Matthew Drummond (guitar) and James Moody (bass) formed in 1986, releasing a whole host of material on the tiny but (subsequently) hugely influential and loved Sarah Records label. Splitting up in 1995, …

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This is weird. Me and St Christopher have history. I bought, direct from Sarah Records, that beacon of all things indie and (in some cases) twee, All of a tremble, and fairly shortly afterwards stole one of their other singles for the label from my brother, Say Yes To Everything. Fast forward a long time …

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Both me and my brother went through a period of waiting furtively for the postman to deliver these plain brown packages, which we ripped open and almost tore the plastic covering off to get to the good stuff inside. And no, it wasn’t what you’re thinking. These were singles from a small Bristol based record company, …

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