Rock
From an old record box: Ian Brown – F.E.A.R.
Verdict: just-about-listenable hokum. Let’s be honest – the lyrics are complete hogwash. I’m sure at the outset Ian Brown thought it was a great idea to flesh out the acronym in every line, but he was wrong; not even the early ones justify this cod-philosophical balderdash. Quite why I bought this (catalogue number Polydor 587 284-7), and …
From an old record box: The Mission – Hands Across The Ocean
It’s another product of the ‘Jive Alive’ era. I can’t think how else I would have ended up listening to this goth-indie-classic rock-folk mash-up of a band. Only a few years earlier I can remember filling out Smash Hits Polls uniformly trashing anything with a hint of gloom or rock. Worst bands and songs dominated by …
Meet: Stone Thieves
Hullo music fans. We are pleased to introduce you to some new country rock heroes from the North London/Herts badlands: Stone Thieves. The beauty of this format is that you don’t have to listen to me witter on about them – they’re going to tell you the whole story themselves while I sit back and …
Meet: Habitats interview
One band who we fear we may have fallen head over heels with in the last few weeks and months is London quartet, Habitats. If there’s one thing we like to hang our hat on here at Backseat Mafia is tunes (and noisy shit and noodly guitars and time signatures and handclaps, but mainly tunes) …
New Music: Loose Joints – Quattro Amigos
I really, really, fervently hope that the title is a nod to one of my favourite silly films of all time, the Chevy Chase, Steve Martin, Martin Short triumph ‘¡Three Amigos!‘. If it isn’t, shame on Loose Joints. They’re not wrong, though. This really is “Quattro Amigos, out of control”. If you like your rock …
Film Review: Between Dog And Wolf: The New Model Army Story
There’s a section(by Lina Skaisgiryte) in the programme notes for this eagerly-anticipated film that really caught my eye: “At the heart of it, this documentary also explores a deep, dark fear: the fear of not making a mark on the world, the fear of being forgotten.” And there, in the second half, as Director Matt Reid is …