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Richard dawson


In a moment a folly, I (not me and my editorial team, or my writers, or indeed anyone) decided to make a playlist of the year. Not one of those in order ones, just a playlist of good records, written by the esteemed writers here at Backseat Mafia. I don’t know what possessed me to …

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Think of those records inspired by plants…Stevie’s sprawling ‘Journey Through The Secret Life of’, Edgar Froese’s pondering on ‘Epsilon in Malaysian Pale’, Genesis hailing a ‘Return of the Giant Hogweed’ or maybe the Cocteau’s glistening ‘Pearly-Dewdrops’ Drops’. Judged sublime or ridiculous depends on your starting point but one thing is clear, the mix of botany …

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NOW INTO its sixth year – though, for reasons we need not dwell on now, not its sixth consecutive – the multivalent In The Round festival is back at The Roundhouse in London’s Camden from January 15th to the 24th next year, and will feature eight shows carefully chosen from across the musical spectrum. There’ll …

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Ever tried keeping up with Richard Dawson? It’s a challenge that always pays off. Over the past couple of years we’ve been gifted his reflective and resonant song craft on ‘2020’, the poptastic quirkiness of Hen Ogledd’s ‘Free Humans’ and the woozy, lockdown ambience of ‘Bulbils’. Now comes more news of Dawson’s restless musicality shooting …

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YOU HAVE to take your hat off to everyone at the Barbican – and, as we were told by Erland Cooper in the very first of these sessions – a mystery benefactor, who made a substantial donation, allowing this autumn series of Live at the Barbican shows to take place – there’s a whole variety …

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Once again they come from the north-Hen Ogledd, time travelling space pop troubadours with music of weird and wonky magic. Originally the brainchild of folk experimentalist/indie anti-hero Richard Dawson and avant harpist Rhodri Davies, the addition of Dawn Bothwell in 2016 and then Sally Pilkington has sparked the collective to channel their inner wonk and …

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NO GIGS. No. Gigs. Now imagine pulling a random aside in the corridor at some New Year’s party at say, ooh, 1.34am, as the beer can fortresses advance across every available surface, as a minor tiff erupts by the record deck, and slurring into this stranger’s ear: “Y’know, thissh year, there wont really be gigs. …

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WHAT started as a side-project for Newcastle’s premiere exponent of passionate out- and wyrd-folk, Richard Dawson, to find an outlet for other musical stylings, has come to take on a wonk-pop life of its own.  Originally a side-salad duo with harpist Rhodri Davies, the addition of Dawn Bothwell and Sally Pilkington has fleshed it out …

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Already on his way to becoming a national treasure and oft the recipient of patronage from the likes of Marc Riley, Newcastle singer-songwriter Richard Dawson’s record label Weird World are re-releasing his first albums The Magic Bridge (2011) and 2012’s The Glass Trunk, as a follow up to last years acclaimed Nothing Important. Both albums …

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