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Rewind


Not Forgotten: Creedence Clearwater Revival – Bayou Country

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Not Forgotten: Randy Newman – The Randy Newman Songbook Vol. 1

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Not Forgotten: Bruce Springsteen – The Wild, the Innocent & the E Street Shuffle

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The history of popular song is littered with unreleased albums. The explanations for these albums being unreleased can vary from record label apathy, recording facilities just not being up to scratch, or the act simply having a change of heart / musical direction at the eleventh hour. There are of course a number of legendary …

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It’s been well over a decade since Scissor Sisters rose to prominence as the perfect antidote to the type of dour faced guitar bands that were taking their music far too seriously at the time. While they enjoyed a string of sizeable hit singles, it was the group’s self titled debut album in particular that …

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For his second ‘solo’ album Tom Petty did the smart thing and recruited Rick Rubin as the producer. Rubin’s organic and raw production methods were in sharp contrast to the synthetic and processed sounds that Petty’s albums (both solo, and with his celebrated backing band, The Heartbreakers) had suffered from since the lack-luster Southern Accents. …

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Harry Nilsson was something of an anomaly in the music industry. He was undeniably a top-draw songwriter, however the majority of his best known hit singles were covers. He never performed live, yet such was his reputation as a hell-raiser and general mischief maker, it has subsequently clouded the fact that he was a genuinely …

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The gap between being a ‘serious’ album act and being a ‘disposable’ pop act was still relatively wide back in the early 70s. The more album-orientated acts had a couple of hit singles at most (if indeed they even released singles), whereas the acts that appeared on Top of the pops had hit albums, but …

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After years of struggling in the alt-rock wilderness, Yoshimi Battles The Pink Robots was the first release by The Flaming Lips that you could say had been ‘long awaited’ by just about anybody outside of North America. Sure they had their small bands of admirers scattered across the globe previously, but The Soft Bulletin had …

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‘Welcome back my friends, to the show that never ends’ How’s that for a killer opening line? Read it again. It’s brilliant. It’s irresistable, pulling you in, promising a life-affirming musical experience and ramps up the anticipation for what can only be one of the greatest rock albums of all time. Except that it doesn’t …

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For all Rush’s reputation as dazzling progressive rockers on their studio albums, they have an enviable parallell reputation as a thunderously hard rocking live act. While their 70s studio albums are heavy on meticulously played brainiac sci-fi / fantasy concepts, their first live offering, All the World’s a Stage, confirmed that when it came to …

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Over the last four decades Rush’s fusion of heavy metal and prog has seen them solidify their position as one of the most consistently popular rock bands on the planet. Their self-titled album had been a collection of straight ahead Led Zeppelin influenced rockers, however the departure of drummer John Rutsey and the recruitment of …

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In retrospect Feelings is probably the last time that David Byrne made a conscious effort to make an album that might sell to an audience beyond his most obsessed fans. Where his previous self titled album had been a mature mix of material with a very definite adult feel about it, Feelings was partly a …

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