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retrotronica


Album review: Tom Dissevelt – ‘Fantasy In Orbit’: seminal Dutch space-age electronica gets a deserved reissue

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A MUSICIAN who ventured far in both life and his chosen creative form, Joel Vandroogenbroeck is maybe not a name that trips with ease from your lips; unless of course, you’re a proper head of the deep psych persuasion. For Joel was both the driving force behind and ever-present in the hard-psych voyagers Brainticket, whose …

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WELCOME. Now, before we fasten your belts – they’ll keep you safe against the enormous Gs as we break the atmosphere, gain the vast promised land of outer space – it’s as well as we run through a final checklist to ensure a safe and enjoyable journey. So. Question. When names like Broadcast, Stereolab, Vanishing …

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JACK PREST, the Australian soundscaper, is perhaps best known for his work on the other side of the plexiglass as an engineer and producer at Sydney’s Studios 301, nine decades of recording absolutely according it legendary status. Best known, for now. That looks like it really could be about to change; lovers of the blissful, …

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ELIZA BEGG, the vocalist and composer who guises as Lisel musically, and electronica creator and percussionist Booker Stardrum, have been friends a long time, circulating in each other’s musical orbit. What with the absolutely bloody everything of it out there, they’ve elected to spend recent time wisely with a six-week, remote collaboration eliciting an album, …

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ELIZA BEGG, the vocalist and composer who guises as Lisel musically, and electronica creator and percussionist Booker Stardrum, have been friends a long time, in each other’s musical orbit; and have spent recent time wisely with a six-week, remote collaboration eliciting an album, their first together: it’s to be called Mycelial Echo, and it’ll be …

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Moods And Dances is the sort of album you cheekily slip onto the deck at a very groovy soiree at about, ooh, midnight, to bring some bizarre and spacey dimensions to proceedings and during which at least two of your friends turn to you and say with a bewildered grin: “Wow, what is this?”

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SIXTIES’ and Seventies’ electronica is a weird and eccentric world, seemingly populated by mad genii and creative mavericks with clipboards and lab coats, observing banks of machinery at sonic play. Actually that conception isn’t too far from the truth: Raymond Scott and his Manhattan Research, Inc. while using the new musical technology to place interlude …

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A clever, engaging pop album, in which The Green Child’s Raven and Mikey hold up a mirror to baroque-psych and synth pop history, smash it with glee, and use the shards to scry it over their shoulders

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RAVEN MAHON and Mikey Young began making beautiful music together after a chance encounter at a gig in her home state of California; at the time they were both in other bands, Raven in Grass Widow, who had an LP out on the koool Kill Rock Stars; Mikey as a member of Australian post-punk synthers …

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YOU’VE never really heard Mort Garson, you say; heard the name, never quite caught up with any of his stuff; anyway, it’s rock hard to get hold of, isn’t it? Yeah, of course I’m into Stereolab, Broadcast, Plone; Belbury Poly, Add N To (X), you say. If it’s weird and Moogy and kinda space age …

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