post-rock
EP REVIEW: Årabrot – ‘The World Must Be Destroyed’ EP review; an album follows
A SURPRISE EP was released by the Norwegian band Årabrot, the duo of Kjetil Nernes and Karin Park, a few weeka ago, featuring a striking roster of guest musicians: Dana Schechter, of Insect Ark and Swans; Andrew Liles, (Current 93/Nurse With Wound) and tubaist Kristoffer Lo (Highasakite / Motorpsycho) among them. The gothic post-rock purveyors …
TRACK: Ritual Cloak – ‘Opaque Crater’: brooding post-rock soundscapes from Cardiff
CARDIFF duo Ritual Cloak is the meeting of Daniel Barnett, formerly of Samoans, and drummer and producer Andrew Sanders, in which musical space between them they find some pretty beguiling, post-rock cinemascapes. The pair first crossed paths in the fertile Welsh underground music scene in 2013, when Daniel answered an ad for a guitarist to …
TRACK: FLOCKS – ‘Grammar King’: think Tortoise tooting a line of pure Squarepusher
WHEN you think of a great line-up combination, a trio that can really pull it off is a truly great thing: think The Jimi Hendrix Experience, think The Jam, even Kitchens of Distinction. No doubt you’ll have your faves too. A great trio operating out of Cincinnatti right now are post-/outrock threesome FLOCKS, who are …
ALBUM REVIEW: Hugar – ‘Music For The Motion Picture The Vasulka Effect’: graceful ambience for art documentary
HUGAR is the exploratory Icelandic music project of Bergur Þórisson and Pétur Jónsson, a pair of talented musicians hailing from Seltjarnarnes, which rejoices in the fact it’s the smallest town in the nation. Their collective name: it translates from the Icelandic, quite simply, as “Minds”. They’ve had a quietly stellar upward career curve, working at …
ALBUM REVIEW: Yair Elazar Glotman and Mats Erlandsson – ‘Emanate’
FATCAT’s boutique 130701 imprint is one of the leading go-tos for the experimental edge of modern composition: that zone where classical bleeds and blends with modern rock and electronic thinking, cross-fertilizing and moving forward. Out now is a first full-length collaboration for the label between Berlin’s Yair Elazar Glotman and Stockholm’s Mats Erlandsson, who have …
EP: Got.Knees – A Century of Middle Class Love
Sitting somewhere between ambient and alt-rock, Got.Knees – all we know about him/her is that its a solo project from the UK – has released a new EP, A Century Of Middle Class Love. Talking of the release, Got.Knees says its ‘Inspired by the events that precipitated the outbreak of war in 1914, A Century …
SEE: Turin’s Cijan set out their postrock manifesto with “Homecoming”
HAILING from the northern Italian city of Turin, Cijan are quickly making a name for their themselves on the domestic scene. Their debut longform set, REA-0919, was released last year; and they were on the bill at Milan’s destination fest for all things shoegaze and post-rock, A State of Flux. New single “Homecoming” tickles all …
Album review: Windy & Carl – Allegiance and Conviction
DEARBORN, Michigan, isn’t necessarily a name that trips off the tongue when you think of musical powerhouses; but this little satellite city of Detroit is a quiet mecca for fans of the more blissed-out, ambient end of the post-rock spectrum. It’s where you can find Stormy Records, the secondhand collectors’ vinyl joint run by husband …
Meet: I Like Trains’ David Martin on new material, how they work, lockdown and more
It’s been eight years since we last heard from I Like Trains, or at least that’s when their last album dropped. Maybe best remembered for their first two records – 2006’s Progress • Reform and Elergies to Lessons Learnt from a year later, they produced epic post/indie-rock anthems of a dark and emotive nature that …
Track: A.A. Williams – All I Asked For (Was To End It All) plus debut album news
London based singer/songwriter A.A Williams has announced the release of her debut album ‘Forever Blue’ on July 3rd via Bella Union. To mark the occasion Williams has shared a haunting animated video for immersive lead track ‘All I Asked For (Was To End It All)’ created by Craig Murray. Of the video Williams says: “I’m so …