post-classical albums
Album review: Group Listening – ‘Clarinet & Piano: Selected Works, Vol. 2’: essential ambient reworkings with a real sense of place
GROUP LISTENING is a pairing of two very fine Welsh musicians: Cardiff’s Paul Jones, a deft jazz and experimental pianist and arranger who first worked with his partner on this project, Stephen Black, on the latter’s fine and wonky Sweet Baboo project (and is there any kind of Welsh indiepop that doesn’t espouse those two …
Album review: Poppy Ackroyd – ‘Pause’: solo piano pastoralism excellently captures a life lived this past year
WITH four albums proper, so to speak, under her belt – Escapement and Feathers from further back last decade, and a brace for what’s now One Little Independent in 2017, an acoustic mini-album, Sketches and the full-length Resolve – we really haven’t heard nearly enough from Poppy Ackroyd in recent times; but then what with …
Album review: Neil Cowley – ‘Hall Of Mirrors (Reflected)’: ambient piano is tripped further into leftfield on this excellent remixes set
THE REMIX album is a really interesting thing, a gathering of the tribes in a meeting place that’s arisen from the sphere of dance music, in which like minds bring their aesthetics and splice it with another’s; a trading, the one overlaying, informing the other, creating a new offspring. When it comes off in the …
Album review: Adam Stafford – ‘Trophic Asynchrony’: Falkirk composer moves to a deep, cyclical set of formal minimalism to address the ecological state we’re in
FALKIRK’S Adam Stafford, the film-maker and folk artist whose lockdown notebook album Diamonds Of A Horse Famine we warmly embraced here last summer – not least because it contained the free-associating “Erotic Thistle” and its fantastic line, “melt down my death mask to fashion it into a dildo” (read our full review here) – has returned …
Album review: Sebastian Plano – ‘Save Me Not’: a portal to a more ecstatic, more ethereal sonic safe space
ARGENTINIAN composer, cellist, and producer Sebastian Plano is set to release his sixth album and his second for one of the blue-chip labels of modern composition, Mercury KX, this Friday; it’s entitled Save Me Not and it’s an incredibly pretty place of aural safety. His most recent album for the label, 2019’s Verve, was (and …