Posts in tag

post-classical


Album review: Resina – ‘Speechless’: a record that takes cello and choir into the apocalypse

Read More

Album review: Poppy Ackroyd – ‘Pause’: solo piano pastoralism excellently captures a life lived this past year

Read More

Album review: Adam Stafford – ‘Trophic Asynchrony’: Falkirk composer moves to a deep, cyclical set of formal minimalism to address the ecological state we’re in

Read More

JEREMIAH CYMERMAN is a producer and clarinettist who’s been working within the New York avant-garde music scene for nigh on two decades now, and more specifically where the tectonic plates of improvisation, experimenta and electro-acoustic music meet. Having recently celebrated his 40th birthday, with all the societal tradition and psychic numerological significance attached to that …

0 1

FALKIRK’S Adam Stafford, the film-maker and folk artist whose lockdown notebook album Diamonds Of A Horse Famine we warmly embraced here last summer – not least because it contained the free-associating “Erotic Thistle” and its fantastic line, surely worthy of some kind of award (and culled from a real life story), “melt down my death …

0 3

ARANDEL, the French artist whose album of expansions and reinterpretations of the works of the great Johann Sebastian, InBach, received deserved acclaim upon its release early last year, is looking to repeat that cultural success with a second volume to be released by the excellent InFiné at the beginning of next month. The first single …

0 1

BOTH a composer whose place in the great American musical annals seems pretty much assured and a passionate environmentalist, Gabriella Smith is set to release an album at the end of this month in tandem with the renowned cellist Gabriel Cabezas, which seeks to capture in fine music the fire-borne destruction which has become a …

0 2

AT THE beginning of last year, the supremely talented Italian violinist and composer Laura Masotto had just began a residency at the former textile mill turned centre for the arts Fabra I Coats, in Barcelona, where she was planning on beginning the process which would lead to her new album, WE, which is due out …

0 0

BORN in Argentina in 1985, Marcelo Schnock aka, for the purposes of the world of composition, Olec Mün, has been playing the piano since the age of 6. For him, the piano has been his first and lifelong affair; a fluid symbiosis of expression in sound that a non-player such as me can only wonder …

0 2

!K7’S mirror-image modern compositional and ambient offshoot label, !7K, has announced the latest in its ongoing series of digital-only, wide-ranging, thematic compilations, and this time the focus will be on wind instruments. Following Piano Layers, Strings Layers and last winter’s erudite and necessary Ambient Layers (read our review of that one, here), Wind Layers gathers …

0 2

Icelandic composer Ólafur Arnalds has collaborated visually with the photographer and film-maker Benjamin Hardman to produce a short film full of natural wonder to accompany the track “New Grass”, taken from his beautiful and contemplative album from last year, Some Kind Of Peace; and you can glory in that collaboration below. Using a macro lens, …

0 7

MISCHA BLANOS is a Romanian pianist and electronic producer who found himself becalmed in Bucharest when the lockdown bit and, with time on his hands as we all had, began to consider the city as a thing, and how we as humans who created them, interact and are altered by them. With the Romanian lockdown …

0 2

BRITISH pianist Neil Cowley, who released a septet of albums sitting astride the point where jazz begins to shade into modern composition and ‘tronica over a period of ten years from 2006, has been on something of a musical journey. Having dissolved his previous combo, the Neil Cowley Trio, he’d seemingly fallen out of love …

0 1