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Neil Young


Not Forgotten: Neil Young – Live Rust

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Not Forgotten: Neil Young and Crazy Horse – Everybody Knows This Is Nowhere

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Not Forgotten: Neil Young – Comes a Time

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One of the things that strikes you when you look at Neil Young’s extensive discography is just how many live albums he has put out over the years. No matter how much his muse has waxed and waned over the last thirty years, Young has always remained a brilliant live performer and his live albums …

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It was with Buffalo Springfield where the embryonic talents of Neil Young were first displayed, then his self-titled debut album revealed Neil Young the solo artist, while it was Everybody Knows This Is Nowhere that introduced Neil Young the guitar icon. Everybody Knows This Is Nowhere is primarily remembered for being the first album that …

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Comes A Time is generally seen as Neil Young cycling back to the more laid back sounds of the hugely successful Harvest, and is therefore one of Young’s gentlest albums by some considerable distance. Actually it’s so laid-back that it’s almost horizontal in places, which can makes for a pleasant, if not exactly engaging, listen. …

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The opening title track starts with the saddest piano notes you’ve ever heard, droplets of sorrow falling onto a lake of melancholy, and you quickly start to realise that this isn’t the same Neil Young that sent endless numbers of music fans to sleep with the bland Harvest, this is a Neil Young dealing with …

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Even by the standards of the late 60s and early 70s, an era where acts would generally be expected to deliver a new studio album at least as regularly as one every twelve months, Neil Young was terrifyingly prolific. Between 1966 and 1976 he released seven solo studio albums, a sound track, a collaboration with …

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It had been a long time coming. Neil Young had last reached one of his irregular artistic peaks in 1979 with Rust Never Sleeps, but throughout the next decade he seemed to go into free-fall, until he recorded the Eldorado EP which stopped the rot and followed it up with the fair to middling Freedom. …

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Always knowingly wilful, Neil Young has never been an easy musician to pin down. Having cut his teeth with Buffalo Springfield, his solo career started off with a solid enough debut of relatively standard singer-songwriter fare, a style he almost immeadiately ditched in favour of hooking up with half of garage band The Rockets, renaming …

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From Beatles and Byrds indebted folk rock with Buffalo Springfield, to guitar-slinging misfit, to singer-songwriter intimacy, to professional misery-guts, to increasingly unpredictable rocker, to still moving elder statesman, Neil Young has done it all and for the newcomer his output has been little more than bewildering. When it comes to picking your way through Young’s …

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Neil Young has always struck me as a somewhat schizophrenic artist, rattling between noisy guitar-rock which could be either thrilling or dragged out beyond all reasonable endurance and his softer acoustic side, which could either be touching and well-judged, or bland and uninspired. The two sides of his muse rarely acknowledged the existence of the …

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Some albums become legendary because of the huge amounts they sold (The Joshua Tree, The Dark Side of the Moon), some because they made a distinct cultural impact, (Revolver, The Rise and Fall of Ziggy Stardust and the Spiders From Mars) and some just because they contained utterly brilliant music (Blood on the Tracks, Catch …

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