Kranky
Album Review: Adam Wiltzie – ‘Eleven Fugues for Sodium Pentothal’: The composer of definitive ambient music provides an album for your deeper thoughts.
You sometimes get the feeling American composer Adam Wiltzie, despite instigating so much proclaimed ambient classical music for the last three decades, prefers the shadows to the spotlight. Whether intentional or not, Wiltzie’s key artistic contributions have usually been as part of a prolific partnership. Firstly he formed the seminal Stars Of The Lid with …
Track/Video: Composer of definitive ambient music Adam Wiltzie previews solo album with the spectral beauty of ‘Tissue Of Lies’.
It’s staggering that in around thirty years as a key contributor to the development of ambient and modern classical music, Adam Bryanbaum Wiltzie has released very few ‘solo’ albums. Firstly there was 2015’s ‘Travels In Constants Volume 24’, then a couple of soundtrack compositions for ‘Solero’ in 2016 and ‘American Woman’ three years later. Still, …
Album Review : Justin Walter – ‘Destroyer’ : More exceptional electronic imagery from the EVI pioneer
It’s been six years since jazz trumpeter and electronic musician Justin Walter’s last album for Kranky, the ethereally wonder-filled ‘Unseen Forces’, and almost a decade since his label debut ‘Lullabies & Nightmares’. The Ann Arbor artist obviously utilises his time with care and consideration, a nurturing process that his luminous, delicate soundscapes require. Now the …
Track/Video : Justin Walter previews long awaited new album ‘Destroyer’ with the title track’s aching beauty.
Jazz trumpeter and electronic musician Justin Walter is an artist who obviously takes care. It’s been six years since his last for Kranky, the ethereally wonderfilled ‘Unseen Forces’ and before that his debut on the label, ‘Lullabies & Nightmares’ announced itself in 2014. So incoming news of his new album ‘Destroyer’, due 13th October through …
Track: Ambient explorer Earthen Sea previews the soulful ‘Rough Air’ from his soon come album ‘Ghost Poems’.
Jacob Long (aka Earthen Sea) has a musical provenance that inevitably draws you in to take a look. He’s been a member of the Dischord endorsed, post-hardcore agitators Black Eyes, injected sax and bass to the electro-dub, no-wave work-outs of Mi Ami and since 2014 released less abrasive sounds as Earthen Sea, probing ever deeper …
SEE: The three-colour, macroscopic delicacy of Loscil’s ‘Vespera’ announces a new set of textural electronic bliss for Kranky
SCOTT MORGAN, the textural, amniotic electronic artist responsible for such deep, pulsing and fathoms-deep works as the sublime Submers and Sketches From New Brighton, is releasing the tenth album of his Kranky career in May. It’s entitled Clara, it’s a meditation on light and shade and decay, and you can watch the three-colour macroscopic video …
ALBUM REVIEW: Ana Roxanne – ‘Because Of A Flower’: a blissful vocal gem from Kranky
Ana Roxanne’s debut LP for Kranky is a beautiful, ambient album that examines ideas about gender, identity and beauty whilst remaining ultimately soothing. It’s one to return to when in need of solace.
TRACK: Ana Roxanne’s ‘Suite Pour L’invisible’: haunting and lush
KRANKY. It’s a label that this unerring step with beautiful and complex ambient music, one which it’s been plying now for a quarter-century and more. The Texan imprint has just unveiled its latest signing: and once more they’ve struck the proverbial gold. Los Angeles-based Ana Roxanne comes into the fold on the back of one …
ALBUM REVIEW: Less Bells – ‘Mourning Jewelry’: absolutely affecting drone-post classical forged in loss
JULIE CARPENTER, who records for Texas’ home of boundary-pushing out-rock and drone beauty Kranky, has journeyed from musical academia at the University of North Texas, through session work as a violinist for bands such as Eels, to finding her own musical self as Less Bells. She released a graceful and beautiful set, Solifuge, for the …
ALBUM REVIEW: Yair Elazar Glotman and Mats Erlandsson – ‘Emanate’
FATCAT’s boutique 130701 imprint is one of the leading go-tos for the experimental edge of modern composition: that zone where classical bleeds and blends with modern rock and electronic thinking, cross-fertilizing and moving forward. Out now is a first full-length collaboration for the label between Berlin’s Yair Elazar Glotman and Stockholm’s Mats Erlandsson, who have …