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Kim Ok-bin


The lone female assassin motif has produced some memorable cinematic performances. Whether it’s Uma Thurman in Kill Bill 1&2, Anne Parillaud as Nikita or Meiko Kaji in Lady Snowblood, there’s a powerful celluloid attraction to the pull of deadly sensuality. Indeed, this has been particularly the case in Asia, where Shu Qi in The Assassin, …

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