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Invada


IT BEGINS with slow, almost marine tones, for a brief bar or two; but without warning it launches as a whole other being, a busy Seventies’ cop show break underpinning a melodic run so fast it’s practically liquid. It almost has the feel of a lazy breakbeat burner from the early Nineties, by Pressure Drop …

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WITH her seductively dark beckon to the dark sides of a dankly merrie old country in cahoots with NYX, Deep England, now out and wreathing like evening mist around the collective consciousness, you may well be forgiven for thinking Elizabeth Bernholz, aka Gazelle Twin, could rest easy, her work here done at least for the …

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