indie rewind
Not Forgotten – The Unicorns – Who Will Cut Our Hair When We’re Gone?
Just from the pencil-crayon artwork of the CD cover, you sort of know that Who Will Cut Our Hair When We’re Gone? is going to be a chaotically shambolic album, with lots of scratchy sounds, off-kilter keyboards, a generous serving of indie harmonies and an almost non-existent production job. Although firmly rooted in shabby indie territory, Who Will …
Not Forgotten – Arcade Fire – The Suburbs
Arcade Fire’s debut Funeral was the sound of a band coming out of nowhere to claim their place as the next big thing in a manner no one had quite experienced before. Neon Bible was a doom-laden and apocalyptic state-of-the-modern-world address which affirmed that Arcade Fire were big on concepts but short on laughs. So where does The Suburbs take us? …
Not Forgotten: Julian Cope – Fried
Recorded at a point where the popular music press were largely of the opinion that Julian Cope was struggling to relocate his muse following the detonation of The Teardrop Explodes, Fried is the album that found the Arch-Drude at the mid-point between the music industry’s realisation that he wasn’t going to be the easily mouldable popstar that they wanted …
Not Forgotten – The Shins – Wincing the Night Away
It’s happened to me more times than I like to think – I discover a great band with a small but interesting discography, I’ve just missed them on tour, but great things are expected of their next album. So I patiently wait. And wait. Finally the album is released. It’s not quite as good as …
Not Forgotten: The Waterboys – A Pagan Place
Post-punk in a vaguely similar way that U2, Simple Minds and Big Country were post-punk, in the early 80s The Waterboys were a band laden with potential, fronted by an ace songwriter with a distinctive voice. Trouble was on their self-titled debut, The Waterboys consisted of Mike Scott and a saxophone player called Anthony. They …
Not Forgotten – The Replacements – Let It Be
After a clutch of scruffy punkish releases, Let It Be was where The Replacements started to indicate that they were slowly starting to mature, starting to blend more considered material like “Unsatisfied” with the likes of “Gary’s Got a Boner”. Where once there was sloppiness and youthful exuberance, here there is self reflection and youthful …
Not Forgotten: Sparklehorse – It’s a Wonderful Life
It must have been mid-2003 that Nibbsy first recommended Sparklehorse to me, but it was in the middle of a period of musical exploration for me, so they just got added to the list of acts that I had to take time out and listen to in the future. As time went on more and …
Not Forgotten: Villagers – Becoming a Jackal
They’ve taken their time about it over the last two decades, yet slowly but surely Domino Records has established itself as a sign of quality, much like Elektra had become in the late 60s. With acts like Franz Ferdinand, Arctic Monkeys and u.n.p.o.c. on the roster, it’s evident the label has an ear for talent …
Not Forgotten – Half Man Half Biscuit – Cammell Laird Social Club
From mid 80s post-punk beginnings which welded basic musicianship to barbed lyrics about life in Thatcher’s Britain, to a more competent and dynamic sound backing witty and wise wordsmithery throughout the 90s, Half Man Half Biscuit have continued to become slightly more sophisticated as time has gone on, without losing whatever it was that made …
Not Forgotten: Billy Bragg – Don’t Try This at Home
Billy Bragg’s first full album since Workers Playtime, an album which saw him change his style to something a little more mainstream than clattering his battered Telecaster and delivering his love them / hate them vocals (personally I’ve always been charmed by his rampantly untutored vocal stylings) with assistance from a few select collaborators (step …