Indie pop

Track: Tennis prepare for their goodbyes with beautiful new single ‘12 blown tires’
There’s a tender kind of ache at the heart of “12 Blown Tires,” the latest single from Tennis, and it’s one that feels earned. Opening with a warm, almost hypnotic guitar line, the track soon swells into a rich slice of melancholy indie pop. It’s the kind of song that manages to feel deeply nostalgic …

News: The Preatures announce ‘Blue Planet Eyes’ 10th Anniversary Tour with 15 dates across Australia
Beloved Sydneyside indie rockers, The Preatures, are reuniting for a 15-date tour from June through to August to celebrate the 10th anniversary of their ground-breaking debut album, Blue Planet Eyes. The band will perform the album in its entirety, along with a collection of their much-loved hits, across major capital cities and regional centres throughout …

Track: The Perfect English Weather – Caroline of Brunswick Square; Popguns duo hit the heights
Well, If there’s a more beautiful slice of indie pop released this year, we’ll eat our ill-fitting cardigans. With Caroline of Brunswick Square, The Perfect English Weather return after a five-year absence with a single so effortlessly elegant, it feels like they were never away. There’s a warmth to the track, an ease in its …

Album Review: The Loft – Everything Changes, Everything Stays The Same; Timeless jangle-pop perfection.
Ok. For those that know, you know. For those that don’t – here’s a quick history lesson. The Loft were one of Creation Records’ great nearly-made-it stories, the first of Alan McGee’s bands to break onto TV, top the indie charts, and land major tour invites. Then, in truly dramatic fashion, they imploded mid-song at …

Album Review: No Frills –”Sad Clown” : Honest songs that chime and chill from Toronto’s Lo-fi indie realists.
It’s been a while since anything’s been heard of Daniel Busheikin and his No Frills buddies. The Toronto band’s self-released debut album ‘Downward Dog’ trundled into the US college radio charts of summer ’22 with its lo-fi jangling pop, chiming with Mersey Beat and 45rpm melodics. Busheikin’s songs saw funny and fragile tangled together, stories …

Meet: Former Field Mice alumni Michael Hiscock of The Gentle Spring
After shaping the sound of indie pop with The Field Mice, Michael Hiscock has returned with The Gentle Spring, a project steeped in reflection, melody, and a search for simplicity. With their recent single Looking Back at the World and an album that explores themes of regret, joy, and moving forward, Hiscock speaks to us …

Track: Welsh indie pop veterans Melys return with the engaging Santa Cruz
Welsh indie/psych-pop veterans Melys have made a notable return with their latest single, Santa Cruz, now available on all streaming platforms. This track serves as a precursor to their forthcoming album, slated for release in the spring of 2025. Following their April 2024 release of BBC Radio Sessions (Vol 1)which highlighted sessions recorded for Huw …

Live Review: The Magic Numbers / Rhiannon Scutt- The Foundry, Sheffield 25.01.2025
The Foundry in Sheffield was taught with anticipation as a packed crowd gathered to witness The Magic Numbers deliver an unforgettable performance, certainly for this first timer. The scene was set with an emotive set by singer-songwriter Rhiannon Scott, whose heartfelt melodies and poignant lyrics captivated the audience, setting a perfect tone for the night. …

Live Review: Skep Wax Records Night: The Gentle Spring / Sassyhiya / Pink Opaque – Hallamshire Hotel, Sheffield 24.01.2025
The Hallamshire Hotel, with its gloriously kitschy 70s charm, provided the perfect backdrop for an unforgettable Skep Wax Records night. Drawing a healthy crowd of indiepop fans, all eager to catch The Gentle Spring—former Field Mice bassist Michael Hiscock’s new band—it was an evening steeped in nostalgia and fresh promise. Opening the night was local …

Track: The Gentle Spring craft indie pop gem with new single “Looking Back At The World”
The Gentle Spring’s new single, Looking Back at the World, released on January 17, 2025, via Skep Wax Records, is a poignant reflection on the past, echoing the classic sound of Michael Hiscock’s former band, The Field Mice. The track exudes a reticent and shy demeanor, yet brims with understated emotion and a profound sense …