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IDM track


WITH his first album for his new home Deutsche Grammophon, Playground On A Lake, now out in the world – and a far-reaching, ambitious record it is, too, spread over four sides – and it seems it wasn’t just the IDM cognoscenti who’ve been wowed. Also more than a little taken was Pablo Lerrain, the …

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GROWING up on the North London-Hertfordshire borders of Enfield, producer Loraine James was up on the escarpment, able to gaze down across London in the bowl of the Thames valley below. That skyline, the city so near, silhouetted, morphing as new towers grew from reinforced steel skeletons, informed and continues to inform her enthralling future …

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GROWING up on the North London-Hertfordshire borders of Enfield, producer Loraine James was up on the escarpment, able to gaze down across London in the bowl of the Thames valley below. That skyline, the city so near, silhouetted, morphing as new towers grew from reinforced steel skeletons, informed and continues to inform her enthralling future …

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HE’s NOTHING if not prolific these days, Andy Bell; the muse must properly be with him. Not content to announce a string of 12″, 10″ and 7″ epilogues to last year’s excellent The View From Halfway Down for Sonic Cathedral, he’s popped his GLOK guise on for a new single release that’s come totally out …

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ROSS TONES, the Northern Englishman who’s made his way to a rural retreat in the South West via the capital, is regarded as something of a mainstay over at Houndstooth, the label that’s spiralled out of London’s fabric club. He’s just followed up last year’s The Folly of Pangloss EP, which he released under the …

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GROWING up listening to a mixture of Jean-Michel Jarre and Jimmy Smith, Matt Robertson certainly had a good early primer in the weirder beauties of music; big-screen synthesiser worlds, the grooviest, cinematic organ jazz (you mean you haven’ heard Jimmy Smith’s The Cat?) After university, Matt matriculated into the world of the recording studio. He’s worked …

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SHEFFIELD’S deep proto-industrialists Cabaret Voltaire still have so much to say, some 48 years on from first beginnings. Shadow Of Fear, released November gone, was the Cabs’ first new album in more than two decades; but in a world this darkly dystopian, how can the time not be absolutely ripe for Richard H Kirk and …

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