Ian William Craig
EP review: Ian William Craig/Kago – ‘FatCat Split Series 24’: one final valedictory 12″ calls time on a superb experimental series
I DON’T know about you, with the vinyl revival – I mean, really, it’s a re-arrival now, isn’t it, here again for the foreseeable – that maybe the 12″ is one thing that hasn’t really had the credit it’s due in the resurgence. So it’s with a sad heart that we bring the news that …
News: FatCat call time on the Split Series with a final 12″ from Ian William Craig and Kago; hear the latter’s ‘Tetermats 2’
I DON’T know about you, with the vinyl revival – I mean, really, it’s a re-arrival now, isn’t it, here again for the foreseeable – that maybe the 12″ is one thing that hasn’t really had the credit it’s due in the resurgence. For while the LP, double LP; hell even the loud-cut, 45rpm, 180gm, …
ALBUM REVIEW: Ian William Craig & Daniel Lentz – ‘FRKWYS Vol.16: In A Word’: fragile, seductive experimenta for voice, tape and piano is
Ian William Craig & Daniel Lentz’s FRKWYS Vol.16: In A Word is a fragile and beautiful work for classical voice, piano, and tape decay, roaming across a broad and brittle hinterland between Gorecki and Basinski
Track: Ian William Craig – The Nearness
The Nearness is taken from the new album, ‘Centres’ from Vancouver-based vocalist / composer Ian William Craig, his first for FatCat’s pioneering 130701 imprint, which has in the past released music from the likes of Max Richter, Hauschka, Dustin O’Halloran, Jóhann Jóhannsson and others, although it is in fact his ninth album. Most of those …