Posts in tag

experimental


Album review: Matchess’s ‘Sonescent’: an irresistible flow of experimental, meditative drone recollection and conscious absence

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Album review: Cluster – ‘Cluster 71’: the German electronica scene on the cusp of breaking through, lovingly reissued

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Album review: Jim Wallis & Nick Goss – ‘Pool’: immersive, ocean-going, pastoral ambience

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There’s no language barrier with Montreal trio Population II, so don’t worry if you can’t speak French – the Francophones serve up enough intensity to get the meaning across. They’ve been building up toward the release of their new album Électrons libres du québec for a few months at this point, but its release is …

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Percussionist and producer Ben Sloan looks set to continue his confident step out into the spotlight with an incoming second release, the EP ‘muted colors live’, due 27th October via NY’s New Amsterdam Records. Sloan’s decade plus as collaborator and contributor, drumming with the likes of Moses Sumney, Beth Orton, WHY? and The National, may …

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Back in June, Eric Lindley resumed releasing music as Careful after taking a hiatus from the project following 2014 album The world doesn’t end. His first new release since then picks up where he left off nine years ago as if no time had passed. Of course, a lot can happen in nearly a decade, …

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To introduce Arthur Hnatek as a jazz drummer only skits across the surface of the soundscape he works within. Sure he has drummed in units led by Tigran Hamasayan and Eric Truffaz but primarily Hnatek’s own musical explorations lead him closer to destinations where electronica and acoustic generated rhythms cross paths. He’s been releasing music …

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Sonic geographer, Hotham Sound label founder and electronic musician Jamie Tolagson a.k.a Mount Maxwell returns this Autumn to continue a run of gently stunning soundscapes that began with the two part ‘Blue Highways’ (from 2016 to 18), continued with 2019’s ‘Only Children’ and last surfaced with ‘The People’s Forest’ a couple of years ago. His …

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“Turning around” is Thomas Fehlmann’s new magic word. It allows him to approach constraints and difficult topics from a new perspective, turning them into something positive. “Umdrehen” is an exploration of sound, combining linguistic and artistic work practices. The album starts with “Bundy/Blessing,” disrupting Fehlmann’s ambient surface and introducing spatial music that leaves gaps for …

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Todmorden experimentalists Slow Knife have returned with a second album, the fully improvised two track long player, A Hymn Supreme. Taking its lead more than likely (as well as half of its title) fromJohn Coltrane opus, it’s explores spiritual jazz, but alongside noise electronics and lyrically explores the ‘authenticity of spiritual transcendence’. Part 1 lies …

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Jazz trumpeter and electronic musician Justin Walter is an artist who obviously takes care. It’s been six years since his last for Kranky, the ethereally wonderfilled ‘Unseen Forces’ and before that his debut on the label, ‘Lullabies & Nightmares’ announced itself in 2014. So incoming news of his new album ‘Destroyer’, due 13th October through …

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We’ve been lucky enough to live with this album for a little bit. If there’s one thing you need with New York trio FORAGER, it’s time – there’s an immediacy to their music that’s quite refreshing, but the added layers of complexity will take more than one listen to begin to reveal themselves. It also …

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Imagining the outcome of this collaboration is in many ways a bit of a stretch. First there is guitarist Dustin Wong, in the past a key member of the under-valued Ponytail, who rode the first math-rock wave along with Battles, and more recently an explorer of interwoven guitar pieces, often long form, for Thrill Jockey. …

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