experimental
SEE: the cosmic anime for Battles’ ‘Sugar Foot’; remix EP out now on Warp
TRIPPY NYC art-rock outfit Battles have dropped a cosmic animation for their track “Sugar Foot”, featuring the gliding vocal talents of none other than Yes’s Jon Anderson, and visually referring more than a little to past galaxial greats such as Battle Of The Planets. The song is taken from their latest LP Juice B Crypts, which is …
SEE: CAMERA announce their February album with the feedback motorik of ‘Kartoffelstampf’
NOW ENTERING their second decade as a band, Berlin’s CAMERA are pushing, to borrow the phrase of Ken Kesey, furthur; deeper. They’re poised to release their fifth studio set, Prosthuman, on Bureau B in February; a news bulletin they’re firing at you point-blank with the first single drop and accompanying video, “Kartoffelstampf”, which you can …
TRACK: Ariel Pink – ‘She’s Gone’: garage-punk cover announces next reissue cycle
LA’S hallucinatory pop explorer Ariel Pink is revving up for the next phase of his reissue programme, delving right back to the beginning of Haunted Graffiti days with the third and fourth instalments of Ariel Archives. The reissue programme for Mexican Summer will see cycles 3 and 4 hit the world on January 29th next year. …
TRACK: Sturle Dagsland – ‘Harajuku’: the new prince of intense, avant-garde pop
DO YOU remember the first time you heard The Sugarcubes, Sigur Rós? How music seemed to have subtly recombined in weird and exciting new ways that spoke of another direction? Maybe, like me, you’ll have the that same kinda bright-rush when you hear the music put together by Sturle Dagsland. He’s just released a track …
NEWS: Gazelle Twin & NYX announce March album – hear their distention of The Wicker Man’s ‘Fireleap’
GAZELLE TWIN: love her or baffled by her, you cannot deny the deep, artful, playful, pranksterish, eerie, sheer damn potency of her work. The creative extension of composer Elizabeth Bernholz, her last album, Pastoral, held a mirror up to the steadfast old folk tales and traditions of Merrie England, fucked that mirror into unimaginable and truer …
TRACK: Samuel Sharp announces album for the new year; hear ‘Catching Leaves’
BRITISH leftfield saxophonist and composer Samuel Sharp, who has previously partially hidden his light under the recording name Lossy – and whose lovely, dubby, impressionistic single release “Fireworks From The Tower” we had the pleasure of covering here – has announced a new album, Patterns Various, which he’ll be gracing our senses with come mid-February; …
ALBUM REVIEW: Ana Roxanne – ‘Because Of A Flower’: a blissful vocal gem from Kranky
Ana Roxanne’s debut LP for Kranky is a beautiful, ambient album that examines ideas about gender, identity and beauty whilst remaining ultimately soothing. It’s one to return to when in need of solace.
SEE: Josephine Foster’s take on Daniel Blumberg’s ‘On & On’: reinterpretations album next month
YOU HAVE to say, Daniel Blumberg is one of the absolutely most interesting, unconventional songwriters to emerge on the British scene in many a long year. His album from a month or two back, On & On, pretty much has it all: confessional, heartfelt beauty; melodic simplicity; outside-the-pocket impro composition, taking the songs right to …
TRACK: Rutger Hoedemaekers – ‘The Invention Of The Moon’: fragile wonder from Jóhann Jóhannsson collaborator
YOU MAY or may not be enough of an aficionado of modern composition to have come across Rutger Hoedemaekers, who’s recently signed to FatCat’s superb leftfield and experimental modern composition imprint, 130701 – but if this particular area of our musical landscape grabs you by the heart, you soon will be and frankly, damn well …
ALBUM REVIEW: Ian William Craig & Daniel Lentz – ‘FRKWYS Vol.16: In A Word’: fragile, seductive experimenta for voice, tape and piano is
Ian William Craig & Daniel Lentz’s FRKWYS Vol.16: In A Word is a fragile and beautiful work for classical voice, piano, and tape decay, roaming across a broad and brittle hinterland between Gorecki and Basinski