experimental track
Track: Bare Wire Son – ‘Fingernest’: the harrow of the Great War remade for towering slowcore
ART AS a means of transforming experience and particularly pain; it’s a well-tested process, and one that Olin Janusz, the artist working as Bare Wire Son, knows works. For his second album under that name (following on from 2016’s Gently), he decided to go investigate a certain and hugely traumatic period in modern history. London …
Track: Sam Genovese – ‘Signals For Signs’: ambience with a ceremonial concept ahead of April’s album
“SIGNALS FOR SIGNS” is a hard cut to horns heralding and welcoming the euphoria of the new. “The music invokes the sound of a union, not unlike a marriage ceremony. It unabashedly reaches toward the beautiful while grounding and holding us in a low-end hug.” So says Sam Genovese of his new and deeply wrapping ambient single …
Track: Hainbach -‘Funktionsverlust’: Cold War-era technology sings its dying drone song
BERLIN’S Hainbach, the avatar for the world of the sonic and the aural which Stefan Goetsch comes out to invent under, is all set to release a new investigation of sound for London-based SA Recordings come April 9th; and a very inventive, avant-garde excursion it is too. For on Landfill Totems, Stefan’s irrepressible wonder in …
Track: Loney Dear – ‘Oppenheimer’; the atomic age examined delicately in falsetto and solo piano
LONEY DEAR is the wholly unusual solo vision of Emil Svanängen, part of the stable of talent over at Peter Gabriel’s Real World imprint, with a curiously timeless and very intelligent take on the solo singer-pianist auteur thing; at once wholly himself but seeming to draw on elements of the drama of early John Grant and equally …
Track: The Fuzzy Nerds – ‘Grasshopper’: Greek post-rock nugget gets a new video
WHAT do we know of The Fuzzy Nerds. the band whose excellently quietLOUDquiet song, “Grasshopper”, we’re taking a look at herein? Not absolutely loads, we’ll freely admit, but a scour of the reference library reveals thus, quoted directly: “The Fuzzy Nerds was a post-alternative and a quite experimental indie rock band active for 20 years, with 13 …
News: Alessandro Cortini announces new album for Mute, ‘SCURO CHIARO’, in June; hear the thrilling, scouring ‘Chiaroscuro’
ALESSANDRO CORTINI, otherwise, one would suspect, very much brought to your knowledge as a member of Nine Inch Nails, is to release an album for Mute in June entitled SCURO CHIARO; come gather round and hear the lead track, “Chiaroscuro”, herein. It’s deep electronica with a thrillingly scouring and distorted scope, laying beautiful waste to …
Track: John Dwyer, Ted Byrnes, Greg Coates, Tom Dolas, Brad Caulkins share ‘No Flutter/Goose’; more loose, free impro from the Osees nexus
WE NEED not look any further here at just how productive John Dwyer and the whole O Sees nexus is – suffice to say, wow; and just weeks on from the John Dwyer, Ted Byrnes, Greg Coates, Tom Dolas, Brad Caulkins album Snow Goose, our review of which you can find here, that particular free-roamin’ …
Track: Lisel + Booker Stardrum – ‘In The Dome’: fractured, space-age experimental pop
ELIZA BEGG, the vocalist and composer who guises as Lisel musically, and electronica creator and percussionist Booker Stardrum, have been friends a long time, circulating in each other’s musical orbit. What with the absolutely bloody everything of it out there, they’ve elected to spend recent time wisely with a six-week, remote collaboration eliciting an album, …
SEE: Toulouse post-rockers BRUIT ≤ announce April album; see the video for ‘Renaissance’
ITS MEMBERS having been through the major label wringer, Toulousain post-rock outfit BRUIT ≤ had no desire to make the same mistakes again; and its members decided to strip back to that initial spark: the creative act. The initial trio of bassist and violinist Clément Libes, drummer Damien Gouzou and guitarist Théophile Antolinos didn’t even …
Track: Ueda Takasayu – ‘Every Clouds Calls My Name’: Phantom Limb debutante’s impressionistic, psychotropic odyssey
BORN in Hiroshima and raised partly in Germany and Austria, debuting Phantom Limb artist Ueda Takayasu says he spent his childhood feeling stateless, distant from his own cultural identity and curiously “un-Japanese”. Even now, in adulthood, having returned to Japan, he speaks English, German and Japanese at home. His internal response to this deep-rooted search for meaning …