electronic albums
Album Review: Snapped Ankles – Hard Times Furious Dancing: primal yet relentlessly danceable
With Hard Times Furious Dancing, Snapped Ankles take the chaos of modern life and distill it into something primal, absurd, and relentlessly danceable. The masked woodwose collective have always thrived on fusing industrial menace with kinetic energy, but here, they push their sound to new extremes, capturing the full-throttle intensity of their live shows. This …
Album Review: Various Artists – Krautrock Eruption: An Introduction to German Electronic Music 1970-1980
The very idea of an introductory Krautrock compilation is a tricky one. As the liner notes themselves acknowledge, the genre (if you can even call it that) has been sliced, debated, and redefined in countless ways over the years, with the likes of Julian Cope’s Krautrocksampler and Crack in the Cosmic Egg both mythologizing and …
EP Review: The WAEVE – Eternal; Dark, cinematic, and beautifully unsettling.
The WAEVE’s new EP, Eternal, out this Friday via Transgressive, sees Graham Coxon and Rose Elinor Dougall continue their journey into the shadowy corners of modern life, crafting a sound that’s as cinematic as it is unsettling. Across its three tracks, Eternal shifts between pulsing synth-pop, jagged post-punk, and lush orchestration, capturing a sense of …
Album review: Michel Moers – ‘As Is’. Long-awaited second solo album from Telex frontman.
It’s been thirty three years since Telex frontman Michel Moers released a solo album, with 1991’s ‘Fishing Le Kiss’. During that time he’s been consumed by photography and architecture but still making music on the quiet. Often described as “the Belgian Kraftwerk”, Telex’s emergence in the 70s marked them as leftfield players in Electronic Pop’s …
Album Review; Porij release a statement album of smart and ambitious (synth) pop music with debut Teething
Porij’s eagerly awaited debut album is a sonic journey that defies expectations and embraces the chaotic energy of their creative process. Hailing from Manchester, the band’s eclectic mix of club tropes and indie pop elements creates a musical landscape that feels both familiar and refreshingly unique. With nods to their influences ranging from Disclosure to …
Album Review: David Jaycock’s Hold. Star. Return is a glorious slice of 80s infused Synthpop that sparkles throughout
Let’s get this straight from the start, to quote Kevin Rowland – whatever musical hat he’s wearing, David Jaycock writes fantastic songs and tunes. In the guise he’s adopted for his latest album Hold. Star. Return, he’s buried himself in analogue synths to make a delightful record of 80s flecked synthpop. Taking influences from across …
Album Review: Slow Knife – A Hymn Supreme
Todmorden experimentalists Slow Knife have returned with a second album, the fully improvised two track long player, A Hymn Supreme. Taking its lead more than likely (as well as half of its title) fromJohn Coltrane opus, it’s explores spiritual jazz, but alongside noise electronics and lyrically explores the ‘authenticity of spiritual transcendence’. Part 1 lies …
Album Review: Maria Chiara Argirò – Forest City
After teaming up with Jamie Leeming on the album ‘Flow’ (read our review here) jazz fusion pianist Maria Chiara Argirò has returned with a new album, ‘Forest City’ released on US label Innovative Leisure. Forest City is a concept record, about the “duality of nature and city”, and where organic sounds and textures seem to …
Album Review: It’s no joke – Confidence Man about to Rock the World with new album ‘TILT’
Confidence Man’s sophomore album is an irresistible dance tour de force.
Album Review: Minute Taker – Wolf Hours
If you read Minute Taker’s bio, you’ll notice the references to eighties music, and the stars of the time who have inspired him. In the past, he’s even covered several of these legends; Pet Shop Boys, Kate Bush and Eurythmics to name but a few. But whilst Minute Taker, AKA singer songwriter Ben McGarvey, is …