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Dear Life
Album review: Shane Parish – ‘Liverpool’: pulling sea shanties leftfield and forward, forward, ho! for a post-industrial, post-rock generation KICKERS
IF YOU don’t know Shane Parish and his oeuvre – and chances are, unless you’re a regular reader of Wire and the deeper corners of Pitchfork and suchlike, you possibly don’t – be prepared to have a new guitar soli-meets-postrock pin-up rock up on your block, as his new album, Liverpool, takes what might be …