Conrad Clipper
Album review: Conrad Clipper – ‘Heron’s Book Of Dreams’: a pseudonymous, textural ambient gem
Heron’s Book of Dreams is glorious. It knows what to do, it knows what you need, and never aims for cheap and maximal when stripping back, excellent arrangement and contrast can do the job. Think a slightly more abrasively edged, more intimate A Winged Victory For The Sullen. A very beautiful record for people who love the interstices where ‘flesh and blood’ instrumentation gets it on with drones. Delightful.
See: Conrad Clipper – ‘Heron’s Book Of Dreams’: piano pastoralism from Berlin composer hiding in pseudonymity
CONRAD CLIPPER is the pseudonymous venture of a Berlin composer and multi-instrumentalist who has a focus on prepared, programmed and played piano. He’s lauded over at BBC Radio 3’s Late Junction, whose presenters have called his work “a rare and tender sonic wonder.” His debut album, 2016’s Cycle of Liminal Rites, took the form of a …
SEE: Conrad Clipper – ‘Say The Name’: enveloping piano textures pave way for April album
CONRAD CLIPPER is the pseudonymous venture of a Berlin composer and multi-instrumentalist who has a focus on prepared, programmed and played piano. He is, as the prepared and programmed element to his pianist practice would suggest, and there’s a run of plosives, a bit of a favourite on BBC Radio 3’s Late Junction; presenters Verity …