Choi Woo-shik

When it comes to Asian cinema, Japan often overshadows its Easterly neighbours. However, South Korea has consistently proved to be more than worthy celluloid adversaries. Whether that’s action (The Villainess, Snowpiercer, The Man from Nowhere, I Saw the Devil), horror (Train to Busan, The Wailing, The Host, Thirst) or mystery/thriller (Oldboy, Mother, Memories of Murder, …