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Catherine-Isabelle Duport


Madelaine

By the midway point of the 1960s Jean-Luc Godard was arguably at the peak of his powers. After the success of À bout de souffle, Bande à part, Alphaville and Pierrot le Fou he was one of the most sought-after directors in Europe. Whilst his work had always been political, The Vietnam War and the …

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