Posts in tag

backseat downunder


Album Review: The Jesus and Mary Chain reveal their stunning ‘Glasgow Eyes’ – an intoxicating mix of swagger and attitude with just a hint of reflection.

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Premiere: Naarm/Melbourne Twin Sisters, Idol Minds, Enchant with ‘Needed You’ – A Mystical Odyssey Through the Intricacies of Love

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Live Review: The Sweet Success of Gumball 2023! Dashville NSW 23.04.23

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There is something very distinctive in the air. New Zealand’s Flying Nun signees Sulfate have followed up their debut single ‘Crossing’ (reviewed by me here) with a brilliant brooding, fuzzy ‘There You Are!’: coasting over an insistent bass, barely contained feedback and singer Peter Ruddell’s (Wax Chattels) voice a deep, sonorous ominous rumble. There is …

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Geoffrey O’Connor, who played in iconic Melbourne pop band Crayon Fields, has just released a magnificent solo album, ‘For As Long As I Remember’, and it is a shining beacon of sparkling, intelligent pop that provide aural succour during these dark times. Every song features duets with iconic singers which adds textures and layers that …

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Eilish Gilligan has a voice like a bell – it rings with an authenticity and clarity, imbued with personal expression and personality. Her subject matter has always been raw and personal: detailing the travails of a twenty-something filled with vulnerabilities, anxieties and yet empowered and resilient in that open self-expression. Her new EP, ‘First One …

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‘Heartbreaker’, the new single from Melbourne multi-talented, multi-instrumentalist Brigitte Bardini is a smooth, gurgling dream pop delight that coasts along on a bed of bubbling electronica, creating an ethereal and transfixing fugue. The soundscapes painted by Bardini are rich and lush: many layers of sounds and effects mix and melt together into something hypnotic while …

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The golden tonsils of Sydney musican Dominic Breen return with another shimmering classic track ‘Hey, Only If You Want To’ as he announces the release of his debut album ‘Blue Volume’ for 1 October 2021, through Double Drummer label. We last heard from Breen with the release of his brilliantly lush single ‘James Street Tonight’ …

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Drenched in a red velvet gothic cape and wallowing in an blood filled bath of emo, the new single from Adelaide band Wolf and Chain is a thoroughly enjoyable dollop of theatricality and swagger, essential ingredients for a bit of cathartic and expressive glam. The accompanying video takes full advantage of this transylvanian fugue with …

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Hailing from the sparkling Gold Coast in Queensland, Australia, Burning Jacobs Ladder is a project by multi-instrumentalist songwriter Jake T Johnson, and his new single ‘Danger in Me’ is a rocket-fueled burner that seethes and prowls with swagger and attitude. Barley restrained feedback and a hint of malevolence underpin this track, Johnson’s voice, seeped in …

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With a deceptively tamed jangling start, ‘Man of the People’ by Melbourne trio Children Collide erupts into a mountainous riff-laden fuzzy psychedelic trip laced with a wild caterwauling guitars and an air of barely contained excess and chaos. An utterly satisfying thumpingly cathartic ride with a sudden stop that leave your senses reeling. But it’s …

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‘Lacuna’, the new single from New Zealand icon Reb Fountain swaps a swaggering bravado evident in her last single ‘Beastie’ (see review here) for something more restrained but just as powerful: a simmering, prowling and enigmatic track that has a hint of something ominous. With its subtle sinuous spine and a fuzzy guitar interlude, ‘Lacuna’ …

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Last month, we described Brisbane musician Monet’s Pond‘s debut single ‘Floating In Air’ as  a swirling panoply of sound that created a sonic kaleidoscopic haze – a musical version of a Pucci dress. Now, Monet’s Pond – essentially the work of Brigette Lawrence – has provided a sumptuous, visually riotous video that encapsulates the same …

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