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See: Bryan Away – ‘The Lake’: beautiful Chicago baroque pop brings The Left Banke sound to 2021
COME gather round, lovers of finely nuanced music, for the new sound of Chicago. Elliot Korte means this music. No jobbing careerist him, seeking a life of cars ‘n’ girls; and when you’ve heard the beauty of his latest single, “The Lake”, if you have a heart beating blood-red in your chest, you should be …
See: The trippy CGI video for Lightman Jarvis Ecstatic Band’s ‘Elastic Band’: Yves Jarvis and Tasseomancy’s Romy making free and wonkily beautiful music
THEY SOUND like they should be some great lost Moog-psych outfit from ’69, and weird and wonderful is definitely a touchstone for the Lightman Jarvis Ecstatic Band, be sure. It’s the musical mind-melding of Yves Jarvis, whose album from last autumn, Sundry Rock Song Stock, was a really clever and rather ace melange of political …
News: Cheval Sombre announces his second album of the year, following the deliciousness of ‘Time Waits For No One’; see the animation for ‘Well It’s Hard’
AFTER so many moons away from us Chris Porpora, aka Cheval Sombre, has delighted us, truly delighted us, with the gorgeous ambient shoegaze folk of Time Waits For No One just a month ago. If you haven’t caught up with that yet, then by crikey you must. We commented upon its release that: “Well, wow. Time …
SEE: The fairytale stop-motion video for Renée Reed’s graceful, mysterious ‘I Saw A Ghost’
WITH her stunning, graceful, mysterious debut album out tomorrow on Keeled Scales, Louisianan folk riser musician Renée Reed has dropped a fourth and final single to usher you into the scented finery of her world; watch the video for “I Saw A Ghost” below. “I Saw A Ghost” rings true with the four-track ambience which pervades her home-recorded …
See the lyric video for Polly Paulusma’s ‘Jack Munro’ – an album of songs that influenced Angela Carter’s on the way
YOU WANT intelligent folk songcraft? Look no further than Polly Paulusma. Fresh from teaching English to undergraduates at Cambridge, and having recently been awarded a PhD, English folkie Polly Paulusma is set to returned with an album of songs which inspired Angela Carter’s dark retakes on the traditional folk tale paradigms, to be entitled Invisible …
SEE: Emerson Snowe – ‘Frankenstein’: creepy visuals and Chills-like guitar pop
BRISBANE’S Jarrod M. Mahon disappears down the rabbit hole of indiepop under the dashing name of Emerson Snowe; and he’s just released a first taster of an EP, out later this year. The track’s entitled “Frankenstein”, it’s a rather lovely slice of breezy indie, leaning out of the Chills nexus towards 1968; and you can …
SEE: Francis of Delirium – ‘Let It All Go’: casting fate to the wind with punk pop fizz
I MEAN, we knew straight away that Francis of Delirium, the Canadian-American duo happy to call Luxembourg home, were probably not going to be shrinking violets; that much was certainly out there for all to see when they came howling out of the sky on a raft of righteous guitars on their debut single, “Quit …
SEE: The animation for Kratos Himself’s ‘Shift’: complex beatz atmospheres
KRATOS HIMSELF is the singular musical vision of Jethro Kratos Hopmans, whose mission is to meld icy electronics, potent cinematic beats and an expansive library of sound recordings in order to take you into a place of dark breaks. He’s set to release his fifth album of the past decade, Vectors, on February 26th via …
SEE: The animated video for Samuel Sharp’s ‘Dawn Rises’; the English dawn captured in solo sax
HE’S QUITE the scion of British solo saxophone, is Samuel Sharp; not, perhaps, on the face of it, an easy thing to comprehend, but what he’s offering over what’s now a triad of single drops and next month’s album, Patterns Various, is experimental, pretty, dubby, evocative; pastoralist, impressionist, and I think an album which will …
TRACK: Panteon – ‘Waking Waiting’: lighter-than-air alt.folk explores the void at the end of the affair
YVONNE AMBRÉE is an artist currently based in Berlin who writes, records and produces music under the nom-de-musique Panteon. She has a particular way with an airy, fragile folk melody and a voice to match, delicate and honeyed, just a touch of the Marissa Nadlers in her velvet swoop. Which is not something to be …