Posts in tag

ambient


Album review: Matchess’s ‘Sonescent’: an irresistible flow of experimental, meditative drone recollection and conscious absence

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You could use up a whole review word count with guitarist/producer and multi-instrumentalist Alessandro Stefana’s illustrious CV but some snapshots and name drops will give the flavour. He’s played on albums by Faith No More vocalist Mike Patton (Mondo Cane), Micah P Hinson (I Lie To You), Penguin Café (Rain before seven) and Calexico (El …

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Multi-instrumentalist and composer Colin Fisher has been energising the Toronto music scene and beyond for around two decades now. A virtuoso guitarist, acclaimed sax player, drummer and more, a brilliant interpretive improviser, a boundary pushing electronic artist, Fisher’s work confounds easy definition. He’s played alongside Jamie Branch, Joe McPhee, Braxton, Laaraji and Frith as well …

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A label with discernment is what you need to help you navigate the oceans of ambient electronica. Lawrence English’s Room40 provides such a service, “a beacon of sound…ringing out from the deepest south” as it’s strapline goes. So any transmission coming in from them is reassuringly one to tune into. Cue the news of the …

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Simon Bailey used to be in early 2000s band Pony Face – a band that also had Anth Dymke, a regular on our review pages from his solo work and collaborations with Golden Fang and Jo Meares. Through his label Pony Face Records, Bailey has just released an exquisite collection of instrumentals in his new …

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Steve Von Till (aka Harvestman) has always been a deep thinker who aims to reach beyond the surface level with his music. Probably more widely known as guitarist/vocalist/lynch pin of seminal post metal pioneers Neurosis and their experimental avant offshoot Tribes Of Neurot, his wider creative intentions have necessitated the release of a vibrant catalogue …

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LA based, Argentinian QOA (aka. Nina Corti) is a digital sound artist and illustrator whose practice is centred on listening and tuning in. That doesn’t mean QOA’s attention is solely drawn to other conventional tunes or conversations but instead they seek out the auditory stimuli of the non-human world, plants and animals, streams and undergrowth, …

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You sometimes get the feeling American composer Adam Wiltzie, despite instigating so much proclaimed ambient classical music for the last three decades, prefers the shadows to the spotlight. Whether intentional or not, Wiltzie’s key artistic contributions have usually been as part of a prolific partnership. Firstly he formed the seminal Stars Of The Lid with …

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Photo by Brandon Schulman

NY based guitarist and composer Ezra Feinberg when talking way back in the mid-2000s about the music of his band Citay, was unapologetic about their surprisingly quirky reference points. Feinberg and Citay drew from AOR polish and MOR lushness, new age to pop polarities, without the pretence of needing to conform to what a San …

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It’s staggering that in around thirty years as a key contributor to the development of ambient and modern classical music, Adam Bryanbaum Wiltzie has released very few ‘solo’ albums. Firstly there was 2015’s ‘Travels In Constants Volume 24’, then a couple of soundtrack compositions for ‘Solero’ in 2016 and ‘American Woman’ three years later. Still, …

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For their February releases the ever – probing Katuktu Collective label have delivered two impactful albums from the new age of new age. ‘Svartor’ by Rune Clausen and Bobby Jewell’s ‘Wind & Water’ present intensely contemplative sounds less concerned with self-improvement, or finding the inner calm and more at looking beyond the ‘me’. Both albums …

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