album
Album Review: North Arm’s beautiful ‘Bring The Daylight’ emanates a sunshine glow and quiet resolve.
North Arm is essentially the work of Roderick Smith, and his new album ‘Bring The Daylight’ is as light as air and just as refreshing. The opening title track is an absolutely gorgeous, reflective track bursting with a sense of melancholy and quiet resolve. Smith repeats the line ‘I’m coming home’: an expression itself that …
Album Review: The Aerial Maps unveil the poetic beauty of ‘Intimate Hinterland’: a shining beacon of sunlight emanating hope and love across an endless landscape. Plus launch gig announced.
The poetry of Adam Gibson is raw and intimate. It reflects the harsh sunlit terrain of Australia through his epic widescreen portrayal of the environment and the compelling forces of nature, while somewhat antithetically delving into the minutiae of everyday life with crystal clear observations grounded in hope, love and compassion. In the company of …
Album Review: The Institutes deliver a magnificent indie pop debut in ‘Colosseum’: an edifice of pure gold.
It’s hard not to resort to hyperbole when you come across a debut like ‘Colosseum’ from Coventry band The Institutes. You cannot help but hear in the DNA of this album the freakish brilliance of outrageous debuts from giants in the past: The Las, Stone Roses and The Smiths to name a few outstanding examples. …
Album Review: Australian punk legends The Hard Ons release thunderous new album ‘I’m Sorry Sir, That Riff’s Been Taken’ and announce national tour.
The Hard-Ons have remained one of the most influential Australian punk bands for decades on end. Following the recruitment of beloved rock ‘n’ roll singer Tim Rogers the group have just released their thirteenth studio album, ‘I’m Sorry Sir, That Riff’s Been Taken’. The record kickstarts with ‘Hold Tight’, an exultant number that seems to …
Album Review: Sydney’s Dominic Breen sets the controls for intergalactic with the glorious shimmering ‘Blue Volume’
Dominic Breen‘s new album ‘Blue Volume’, out today through Double Drummer, is certainly a cinematic experience – both in the sounds it creates and the visions it brings forth. And by cinematic, I’m talking widescreen with ultra vivid colours and an immersive surround sound sparkle that shimmers like stars in the firmament. At the very …
Album review: ‘Ten Songs’ from T. Wilds is a soft and delicate wonderland.
Tania Bowers, operating under the nom de plume T. Wilds, has just released the album ‘Ten Songs’: a deceptively simple and unadorned collection of the sweetest sounds imaginable. This is an album that sparkles with life and vitality and shimmers with an innate glow. Bowers has the most distinctive vocal style: a relatively low register, …
Album Review: Nik Brinkman’s debut ‘Secret Stairs’ is an elegant showcase of glittering dreamy dream pop exhibits.
Opening with an instrumental with a spoken dialogue in the track ‘Silent Cities’, the crystalline beauty of New Zealander Nik Brinkman‘s new album ‘Secret Stairs’ become instantly evident. With the shimmering elegance of M83, ‘Silent Cities’ is evocative: bringing to life those late night long distance calls that are filled with yearning and isolation across …
Album Review: Youth Group’s Toby Martin’s solo album ‘I Felt the Valley Lifting’ is an uplifting amalgam of mystical realism and the minutiae of everyday life.
Toby Martin (Youth Group) has a distinctive angelic voice and astute ear for indelible melodies, but more than anything his new solo album ‘I Felt The Valley Lifting’ reveals in greater focus on his ability to weave vivid and fascinating tales: reaped from the ennui of everyday existence as well as drawing on folklore and …
Premiere: On the 20th anniversary of their debut album, Pia Fraus give us a sneak listen to their new recording ‘Now You Know, It Still Feels The Same’: fresh interpretations of youthful brilliance.
Hailing from Tallinn, Estonia, Pia Fraus have proven to be one of the most fascinating and enduring shoegaze bands of the past twenty years, made all the more unusual by the fact that they emerged from Eastern Europe, an area not known for this genre. Their debut album, ‘Wonder What it’s Like’, was released in …