Posts in tag

album review


Album Review: The Jesus and Mary Chain reveal their stunning ‘Glasgow Eyes’ – an intoxicating mix of swagger and attitude with just a hint of reflection.

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News: Viji’s debut album is far from “Vanilla”

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Album Review: Oh crap! There’s a new Evil Blizzard album

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Bloodkill were born out of the 80s thrash taking inspiration from bands like Metallica, Slayer, Megadeth, Kreator, Exodus etc. Their self produced debut album ‘Throne Of Control’, takes what these guys have learnt from their forebears’s and reshapes it for the 21s century. Old school metal in fresh modern hands. The band comments:  ”Throne of …

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Freed from the tyranny of production choice, Qi is Minotaur Shock’s freest and most beguiling outing since back in his Melodic days

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Ongoing Dispute is is an album of maturity and fittingly, a grower with each listen

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Cathartic anger from Yorkshire post-punks stakes their claim to a place in a crowded pantheon

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If real, unafraid, powerful sonic architecture, dialogue and expression is your thing – and in terms of consciousness, maybe it should be – then this record is essential. But enter steeled and go carefully, friend

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Dave Scher & The Wizards Of The West is like a finely reduced sauce; it packs an awful lot of psychedelic flavour and fun into a fat half-hour. Afrobeat, surf rock, funk, straight psych, country psych, jazz, shoegaze, are all seep through a lovely record with three of four moments of proper excellence and a lot of red-eyed, 1am lava lamp big-grinned fun besides. It’s good to see him back.

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In The Furrows Of Common Place is a bold and proud album of working class folk. It bears witness with an unflinching melodious anger – it’s the first essential album of 2021

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There’s so many ideas in Witch Egg, from so many genres and eras: mod, krautrock, free jazz, even acid jazz; they’re arrived at, explored at once, captured, moved on from. It speaks much of the restless creativity at the heart of this, John Dwyer. It’s quite a journey for a fringe music head

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In ‘The Last Exit’, Still Corners have perfectly captured a magical ethereal desert landscape in the spacious layers of their songs. Crystal sharp guitars, soaked in reverb and mystery, punctuate a bedrock of acoustic instruments and evocative, wild and unnatural sounds. Singer Tess Murray’s crooning, louche vocals smooth the path. There is an inherent a …

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Pom Poko were first brought to Backseat Mafia’s attention early last year when they released their single “Praise” from their debut album Birthday released in 2019. Since then, they’ve been one of the bands from Bella Union’s spectrum of talent that have been a regular feature on the website and the release of “Like A …

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