album review
Album review: Mint Julep – ‘In A Deep and Dreamless Sleep’: kaleidoscopic and dreamy shoegaze pop
FOLLOWING on from 2019’s sumptuous release Stray Fantasies, the duo of Hollie and Keith Kenniff return with a kaleidoscopic and dreamy shoegaze pop venture that is at times an extension of the previous album and yet also a progression of the creative partnership. From the album opener, “A Rising Sun”, this is not merely a collection …
Album review: Chad VanGaalen – ‘The World’s Most Stressed Out Gardener’: an excellent, multifaceted curio of psych and fun
YOU’VE gotta love Chad VanGaalen, the Albertan singer-songwriter who completely follows his own muse, sees the world his own goddam way, thank you very much; and who’s been delighting those of us in the know for a decade and a half now. He first emerged blinking into the musical sunlight with his Infiniheart album for …
Album review: Deniz Cuylan – ‘No Such Thing As Free Will’: a pastoral instrumental guitar gem
No Such Thing As Free Will is a much prettier and more enveloping record than words can convey; it has a really nice poise between the disciplines of the leftfield, the guitar soli and that of bright folk melody. In this regard if you’re a fan of early to mid-period James Blackshaw, but also very much the quartet of ‘free folk’ albums Stockholm’s Andreas Söderström released as ASS in the decade from 2006, you’ll find an awful lot to love. A bright, studious, harmonic, pastoral gem
Album Review: The Paper Kites’ ‘Roses’, featuring stunning collaborations with global female guest singers, is a delicate and beautiful album
The Australian folk/indie pop band The Paper Kites are musical icons and in ‘Roses’, their fifth album, they have crafted a breathtakingly beautiful album that has an indelible sheen and stature. This is a band that is simply getting better every release, and in this release the boundaries have been further extended by a coterie …
Album Review: The Ghost of Helags unveil the shimmering and impressingly beautiful album ‘We Came From the Stars’
Here at Backseat Mafia HQ we have been following synth pop duo The Ghost of Helags for a while – covering a series of extraordinary beautiful dreamy singles and even capturing a live session of single ‘Chemistry’. The Berlin-based Swedish duo have collected all the singles together and added more tracks to release an exquisite …
Album review: Sarah Haras – ‘Mirage’: deeply effective and affecting abstraction
Often abstract albums come across like a loose series of random sketches; but not Mirage. It’s got a clear vision that binds it together and like the best electronic music suggests something different to every listener each time they tune in … and that is some achievement
Album Review: Huck Hastings unveils a sparkling and gorgeous album ‘Cheers to Progress’, draped in love, loss, longing and optimism.
Huck Hastings is a Sydney based singer/songwriter whose new album ‘Cheers to Progress’ is a cinematic sweep full of longing, love and loss – a vivid and beautifully expressed series of personal vignettes that are endearing, optimistic and heart-breaking at the same time. This a collection of beautiful personal observations on relationships and love, floating …
ALBUM REVIEW: Cameron Knowler & Eli Winter – ‘Anticipation’: excellent studies in twin guitar primitivism
We don’t get to hear quite enough of the modern fingerpicking style this side of the Atlantic, so if you’ve drifted off from the form somewhat since Jack Rose passed, or wish to explore beyond William Tyler; then hell; start right here. A grand tour of two instruments and two musical minds woven together so tightly and also unravelling like fronds of a fern, seeking all the multiplicity of new directions in folk. An excellent record
Album Review: Underground Lovers surprise again with career collection of B for brilliant B sides in ‘Others’
Not that long after releasing a superb collection of remixes spanning their career (reviewed by me here), Melbournes Underground Lovers have sprung another surprise album on the public entitled ‘Others’. This album has collected seventeen tracks of what are labelled B sides from singles, EPs and giveaways. Given the standard of output by this band, …
Album Review: DMA’s bottle their indie pop magic into the spectacular ‘Live At Brixton’ Album
DMA’s‘ concert at Brixton this time last year marked the launch into the precipice that was the COVID lockdown. As such, it has achieved a certain iconic status as one of the last big gigs of 2020, and it is now hard to remember the feeling of bouncing cheek by jowl in a heaving hall …