Posts in tag

album review


Album Review: The Jesus and Mary Chain reveal their stunning ‘Glasgow Eyes’ – an intoxicating mix of swagger and attitude with just a hint of reflection.

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News: Viji’s debut album is far from “Vanilla”

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Album Review: Oh crap! There’s a new Evil Blizzard album

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A highly anticipated comeback for Peter Silberman’s band, with an album full of soothing melodies

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Sydney-based singer-songwriter Sammy Honeysett today releases her debut EP Queen of Wands, revealing more of the rising talent’s wistfully melodic indie-rock. Produced by Jack Nigro (Julia Jacklin, Middle Kids, DMA’s), the five-track offering is a reflection of Sammy’s versatility as a sensitive yet determined artist. Revealing how the EP got its title, Sammy says she …

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Josh Scogin kickstarted ’68 back in 2013, naming the two-man outfit he modestly undersells as “a little rock, a little blues, a little hardcore” after his father’s old Camaro. Joining with percussive Nikko Yamada, the band unleash an array of guitar, bass, drums and keys, and pedals. Like a Delta Blues reimagining of Bleach-era Nirvana …

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English alternative rock duo Birdpen are the creation of Dave Pen and Mike Bird. They mix elements of alternative guitar rock, experimental electronica and Krautrock with cinematic moods, all delivered with powerful and meaningful lyrics. All Function One is an album written as the world was changing at the start of the 2020 pandemic. An …

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After months of fierce anticipation Death From Above 1979’s fourth LP release, ‘Is 4 Lovers’, finally drops today. Produced, mastered and recorded entirely by bassist Sebastien Grainger and drummer Jesse F. Keeler, the album captures that unmistakable, boundary-shoving dance-punk sounds fans remember, along with some redefining of their original format. DFA wanted this record to …

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There is a beautiful tension the work of Sydney trio Middle Kids. Songs that detail childhood trauma, wayward ways and personal angst are delivered in the most shining and sparkling coat of many colours. Even at their darkest, though, the lyrics can exhibit a wry sense of humour; a sense of resignation and acceptance and …

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WHAT a day it is for Ben Howard as he returns with Collections From The Whiteout – an album rich in engrossing stories and full-bodied instrumentals. Critically acclaimed English singer-songwriter Ben has created his fourth studio album in a run beginning with 2011’s Every Kingdom. It’s a 14-track album that appears simple to the naked …

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Renée Reed’s debut is spun from very clever finery; a flow of tracks, folky and so American and yet so European, psychedelic in the way Devendra is, spectral in the way Marissa Nadler so is; Espers, but less mushroomy. Renée: she’s such a talent. I’m not sure if I want to wake from this particular spell.

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Outtakes these nominally may be, but a decade on these tracks would have all seen a parallel life in the 12″ and the like; a format which was only just starting to find its viability Stateside at this point in the Seventies. And remember not just that these ten tracks are culled from a year or more’s intense creative fire, but that those sessions gave birth to three albums. It’s an album for intense post-dusk savouring, soundscapes to fall sideways down the rabbit hole into, deep and otherworldly sonic immersion from one of the greatest electronic music brains.

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FOLLOWING on from 2019’s sumptuous release Stray Fantasies, the duo of Hollie and Keith Kenniff return with a kaleidoscopic and dreamy shoegaze pop venture that is at times an extension of the previous album and yet also a progression of the creative partnership. From the album opener, “A Rising Sun”, this is not merely a collection …

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