album review
Album review: The Antlers – ‘Green To Gold’: a safe haven in a frugal year
A highly anticipated comeback for Peter Silberman’s band, with an album full of soothing melodies
EP Review: Sammy Honeysett debuts ‘Queen of Wands’
Sydney-based singer-songwriter Sammy Honeysett today releases her debut EP Queen of Wands, revealing more of the rising talent’s wistfully melodic indie-rock. Produced by Jack Nigro (Julia Jacklin, Middle Kids, DMA’s), the five-track offering is a reflection of Sammy’s versatility as a sensitive yet determined artist. Revealing how the EP got its title, Sammy says she …
Album Review: Dance punk exponents Death From Above 1979 release new album ‘Is 4 Lovers’
After months of fierce anticipation Death From Above 1979’s fourth LP release, ‘Is 4 Lovers’, finally drops today. Produced, mastered and recorded entirely by bassist Sebastien Grainger and drummer Jesse F. Keeler, the album captures that unmistakable, boundary-shoving dance-punk sounds fans remember, along with some redefining of their original format. DFA wanted this record to …
Album Review: In ‘Today We’re The Greatest’, Sydney’s Middle Kids explore angst and redemption draped in a sparkling, glittering cloak.
There is a beautiful tension the work of Sydney trio Middle Kids. Songs that detail childhood trauma, wayward ways and personal angst are delivered in the most shining and sparkling coat of many colours. Even at their darkest, though, the lyrics can exhibit a wry sense of humour; a sense of resignation and acceptance and …
Album review: Ben Howard – ‘Collections From The Whiteout’: engrossing, tragic stories on his best yet
WHAT a day it is for Ben Howard as he returns with Collections From The Whiteout – an album rich in engrossing stories and full-bodied instrumentals. Critically acclaimed English singer-songwriter Ben has created his fourth studio album in a run beginning with 2011’s Every Kingdom. It’s a 14-track album that appears simple to the naked …
Album review: Renee Reed – ‘Renee Reed’: an excellent, ethereal debut from Louisiana folk chanteuse
Renée Reed’s debut is spun from very clever finery; a flow of tracks, folky and so American and yet so European, psychedelic in the way Devendra is, spectral in the way Marissa Nadler so is; Espers, but less mushroomy. Renée: she’s such a talent. I’m not sure if I want to wake from this particular spell.
Album review: Conrad Schnitzler – ‘Paracon: The Paragon Session Outtakes 1978-1979’ – more solid-state wizardry from the Kluster genius’s archives
Outtakes these nominally may be, but a decade on these tracks would have all seen a parallel life in the 12″ and the like; a format which was only just starting to find its viability Stateside at this point in the Seventies. And remember not just that these ten tracks are culled from a year or more’s intense creative fire, but that those sessions gave birth to three albums. It’s an album for intense post-dusk savouring, soundscapes to fall sideways down the rabbit hole into, deep and otherworldly sonic immersion from one of the greatest electronic music brains.
Album review: Mint Julep – ‘In A Deep and Dreamless Sleep’: kaleidoscopic and dreamy shoegaze pop
FOLLOWING on from 2019’s sumptuous release Stray Fantasies, the duo of Hollie and Keith Kenniff return with a kaleidoscopic and dreamy shoegaze pop venture that is at times an extension of the previous album and yet also a progression of the creative partnership. From the album opener, “A Rising Sun”, this is not merely a collection …