Posts in tag

album review


Album Review: The Jesus and Mary Chain reveal their stunning ‘Glasgow Eyes’ – an intoxicating mix of swagger and attitude with just a hint of reflection.

Read More

News: Viji’s debut album is far from “Vanilla”

Read More

Album Review: Oh crap! There’s a new Evil Blizzard album

Read More

We’ve long been fans of Sydney/Illawarra band FLOWERTRUCK who have perfected an antipodean-flavoured brand of indie pop that has a genetic link to an amalgam of The Go-Betweens and The Apartments on one side of the ditch, and the Dunedin sound epitomised by Flying Nun roster of The Bats and The Chills on the other side. Blinding …

0 3

With psychedelic-inflected vocals, nuanced and louche, the ghostly apparition that is Tom Crandles’s musical project Prudence has just released ‘Negatives’. It is a gothic-flavoured collection that reflects the period of turmoil over the last few years, bleeding through every pore, and yet seems to offer a glimpse of hope in the end. Opening track ‘Introduction’ …

0 1

‘Smiles of Earth’ is quite simply a glorious album and, for me, immediately takes its place as one of my contenders for album of the year. The new album from Melbourne outfit Cousin Tony’s Brand New Firebird (CTBNF), out through the esteemed Double Drummer, is a perfect storm of incredible songwriting, magnificent instrumentation and an …

2 12

Post punk Tasmanian 3-piece band, Liquid Nails have been together since 2019. Subtract 2 years for a global pandemic, mix it with the glacial pace of offshore pressing and shipping, and they have, in a timely fashion, banged out their debut LP! The 12 inch 45rpm self-titled album (in true punk tradition) delivers 10 blistering …

0 7

The new album ‘The Sky is Blue’ is a glorious collection of antipodean indie pop vignettes from Brisbane outfit The Valery Trails – an album that is anthemic and bold. With a euphoric use of horns and a jingle jangle pop swing, opening track ‘Jaisalmer’ recalls the anthemic glory of fellow Brisbanites The Saints in their …

1 5

As a practitioner and sound artist Shahin Entezami (aka Tegh) has produced a consistent stream of expansive works which have put him at the forefront of the Iranian experimental music scene, a community that continues to reach way beyond its homeland. His music entranced under the melodic swell of 2015’s undulating ‘Night Scenes’ then took …

0 3

There is a visceral discordancy and inherent chaos that threads throughout ‘Versions of Modern Performance’, the debut album from Chicago trio Horsegirl, (out through Matador Records/Remote Control Records). This anarchy is magically and stunningly resolved by the bitter sweet melodies and harmonies that cloak and bind the barbed-wire strands. The oft dissociated, disconnected vocals are …

2 5

During lockdown, Sam Grant – part of the godlike (or more appropriately, hellish), Sabbathian riff-age of Pigs x7, and also studio engineer at Newcastle’s Blank Studios – gave birth to Rubber Oh firstly as a pure and unfettered personal creative outlet between recording the myriad bands at his studio. Rubber Oh’s celestial jouissance was conjured in …

0 2

Every now and then, a full-length LP/CD comes along that stops you dead in your tracks.  Snowcap Menace is unmistakably one such album. The brainchild of Australian folk-rock husband & wife duo, Jeff Lang and Alison Ferrier, Snowcap Menace is a virtual cornucopia of the pair’s musical influences and varying styles, ranging from blues, ethno-folk …

0 2

The thing about Kendrick Lamar albums is that they become, in their own way, cultural touchstones. To Pimp a Butterfly immediately became regarded as one of the best albums, certainly rap albums, of all time. Good Kid, M.A.A.D. City became enough of a force in its own right to be recognisable by an acronym. Damn., …

0 3