Alasdair Roberts
Album review: Alasdair Roberts og Völvur – ‘The Old Fabled River’: Scots-Norwegian sextet debut a record of correspondences, life cycles and exploratory depth
HE’S GRACED us with a very Northern European and delicious take on introspective folk since that trio of lovely albums, The Rye Bears A Poison, Daylight Saving and The Night Is Advancing as Appendix Out, beginning back in ’97; and it should come as no surprise that a man whose music arguably sounds best with …
See: Alasdair Roberts og Völvur lead you through the sombre, beautiful out-folk of ‘Nu Solen Går Ned’
WITH a rather gorgeous new record in cahoots with the Norwegian experimental folk collective Völvur just a little over a fortnight away now, our favourite Perthshire and formerly appendically removed songsmith Alasdair Robert has dropped one final teaser, in which he gives way front and centre to Völvur’s Marthe Lea for an absolutely beautiful Norwegian …
See: Alasdair Roberts gathers us round for a solo rendition of ‘Orison Of Union’, from next month’s album for Drag City
SERENDIPITY is such a lovely thing to encounter, especially when it leads to a joining of courses and like minds finding each other. Responding to the invitation of Norwegian fiddler Hans Kjorstad, Alasdair Roberts, who’s been beguiling us with his music since those days with Appendix Out back in the late Nineties, made a deep connection with …
See: The video for Alasdair Roberts og Völvur’s ‘The Green Chapel’: fine folk in Nordic collaboration heralds a new set for Drag City
HE’S GRACED us with a very Northern European and delicious take on introspective folk since that trio of lovely albums, The Rye Bears A Poison, Daylight Saving and The Night Is Advancing as Appendix Out, beginning back in ’97; and it should come as no surprise that a man whose music arguably sounds best with …
Exclusive: Alasdair Roberts records ‘Seagulls, Belts’ for Backseat Mafia live in session
Nearly 20 years after dropping his Appendix Out moniker, the name he used for his early output that put him firmly on the Folk map, Alasdair Roberts revisited it for his recent album ‘The Songs of My Boyhood’, which came out digitally recently on the acclaimed Drag City label. Mixing things up somewhere between Scottish …
SEE: Appendix back in: Alasdair Roberts revisits his roots
ACROSS a trio of albums for Drag City leading into the 21st century – The Rye Bears A Poison, Daylight SavIng and The Night Is Advancing, Callander’s Appendix Out made some of the gentlest, most spellbinding alt.folk you’ll ever have the pleasure of tipping into your ears. After the release of The Night Is Advancing …
Live: Three Queens in Mourning, Bishop’s House Sheffield 22.10.18
The Bishop’s House more usually hosts groups of schoolkids getting a bit of history lesson. But it’s an atmospheric place for an intimate gig celebrating the songs of Will Oldham – the self-styled Bonnie ‘Prince’ Billy. First up, Sharron Kraus was terrific. She has a beautiful voice allied to guitar folk tunes adorned with an …
Album Review: Alasdair Roberts – Pangs
Authenticity is one of the great over-rated qualities in music. But there’s no harm in a bit of study and knowledge. Alasdair Roberts’ route into recording might have been through passing a tape to Will Oldham, but that doesn’t stop him having a more traditional edge than many of his contemporaries and collaborators. Recorded with …