For over fifteen years, Night Beats—helmed by Texas native Danny Lee Blackwell—has been channeling a hypnotic fusion of vintage R&B, psych, and garage rock. His latest single, Behind The Green Door, feels like a continuation of that lineage, yet also marks a new chapter. Released today as the A-side of a forthcoming 7” due out April 11th via Fuzz Club and Suicide Squeeze, the track is a moody, late-night reverie—one that Blackwell describes as “a threshold between devotion and disillusionment.” Accompanied by a Giallo-inspired music video (which also marks his directorial debut), the single is both a sonic and visual journey. On the B-side, we’re treated to a remix by the enigmatic Rah John, bringing an exotic, dance-inflected take on the track. We caught up with Blackwell to talk about the song’s inspiration, the creative process, and what’s next for Night Beats.
“Behind The Green Door” has a cinematic, almost dreamlike quality. What inspired the song, both musically and lyrically?
I’m always pulling from my stream of subconscious. I sing what comes naturally. I play to serve the feeling, so I’ll sometimes find pieces of lyrics when I least expect it—imagery of wandering through a mother’s garden or Spanish Harlem in the spring. A revolving door of love and doubt comes to mind. Past, present, and future experiences.
You described the ‘green door’ as a threshold between devotion and disillusionment. Can you elaborate on that theme?
A portal. The ‘green door’ signifies a dimension where love and doubt collide. The feeling of the world you’ve created starts to dissolve—your previous connection to reality shatters. Disillusionment. I like the idea of telling a sad story in a beautiful way. I don’t believe that stories require a happy ending, either. Sometimes we need to gaze into the abyss.
The track has a hazy, late-night feel—were there any particular influences or records you had in mind while creating it?
This song is a subtle nod to Joe Tex, in my mind. I love the bargain bin for discovering older local gospel groups in my travels. Duane Eddy, too.
This single also marks your directorial debut with its Giallo-inspired music video. What drew you to that style, and what was the experience like stepping behind the camera?
I just like making stuff with my friends. Conceptualizing and creating films has been part of my job for a while now, so I’m grateful to keep making things. If you knew me, you might see where the style of the video comes from—certain shapes, colors, movement. I’m grateful to work with a good team to help materialize the vision.
The B-side of the release features a remix by Rah John. How did you come across his music, and what made you want to collaborate?
An enigma, that Rah John. Being a fan of early Thai disco and dancehall music myself, I was happy to embrace the fellow. It’s pulsating. We found each other.
His version brings a sunnier, more exotic take on the song. What was your reaction when you first heard it?
Really dug it, made me wanna move.
Your music has always felt rooted in a mix of vintage R&B, psych, and garage rock. Has your creative process evolved over the years?
It’s always evolving. I’m not interested in making the same thing twice. If my roots are showing, then good. I’m curious, always searching for more. Good songwriting doesn’t need tricks or revision necessarily—I’m on a constant journey to find my voice and ways of expressing my mind.
You’ve been releasing music as Night Beats for 15 years now. Looking back, how do you feel your sound has changed since your early days?
I have more love for the craft. Every musical experience (river) flows into the ocean (you). From playing guitar for Ronnie Spector to joining different bands such as Black Lips, W.I.T.C.H. (We Intend to Cause Havoc), Curtis Harding—I’ve always loved to learn, and hopefully, these moments have made me a better musician and writer. On the road, it’s still guitar, drums, and bass. A few changes to the recipe over time, but it still feeds me.
Following your 2023 album Rajan, does this single hint at a new direction for Night Beats?
If it was a hint, then I wouldn’t spoil it any further.
The 7” release is coming out via Fuzz Club and Suicide Squeeze. What’s it like working with those labels, and what do you look for in a label partnership?
In the music industry, I keep it simple—I look for good people who I get along with. They have the purse to press records at the end of the day. Us working musicians don’t make enough from our living to afford the cost of many operations usually, we just pay for it through our work down the road. Having a support system is helpful and welcome when the vibe is right. But tread lightly—artists (you) need to have your own goals.
With Behind The Green Door, Night Beats continues to explore the spaces between raw rhythm and blues, atmospheric psychedelia, and cinematic storytelling. The single offers both a late-night, smoke-drenched haze and, through Rah John’s remix, a sunlit, danceable contrast. As Blackwell hints, the track may or may not foreshadow the next phase of Night Beats, but if his track record is anything to go by, the journey will be well worth the ride. The Behind The Green Door 7” is out April 11th, 2025, via Fuzz Club and Suicide Squeeze.
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