There’s a certain swagger in the air tonight, the kind you only get when a bona fide icon walks into the room. Barry Adamson – sonic shapeshifter, noir architect, and all-around dark prince of cool – has returned to Australian shores, cutting straight to the heart with the moody brilliance of Cut To Black, his tenth solo outing.
First up tonight are The Wreckery – Melbourne’s own blues-drenched wrecking crew who first crawled out of the swamp in 1985, all cigarette ash and menace. Co-founded by Hugo Race (an early member of the Bad Seeds), the band slink on stage with the kind of detached cool that can’t be faked, only earned.
From the first shadowy pulse of bass, it’s clear this isn’t just a gig – it’s a descent into Adamson’s cinematic underworld. The Factory Theatre is transformed into a Lynchian dreamscape and a crowd of noir disciples hanging off every razor-sharp groove.
Adamson – once the rhythmic spine of post-punk juggernauts Magazine, then a key conspirator in Nick Cave and the Bad Seeds – has long transcended the “former band member” label. On stage tonight, he’s the auteur of his own sonic universe, conjuring menace and melancholy with a flick of his hand and the throb of his guitar.
Cut To Black bleeds through the set, its tracks a refined continuation of his long-standing obsession with jazz, soul, and industrial dread.
There’s elegance, of course. But also grit. Adamson makes art that creeps into your bloodstream – and tonight, Sydney’s veins are wide open.
Adamson’s tour moves to Brisbane next, tickets HERE.
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