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Not Forgotten


Live Gallery: Rose Tattoo w/ The Choirboys, Woodport Inn Erina 100223

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Not Forgotten: Warren Zevon

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Not Forgotten: Teenage Fanclub – Grand Prix

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Good old Travis. Good old sensible Travis. For a while they had a reputation for doing exactly what you expected of them. So honest, so reliable, so steady, always taking the off-target accusations of being slightly dull in good humour. In the nicest possible sense, for a few years Travis were the Ned Flanders of …

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Like most people, I had been aware of David Byrne via his work with the Talking Heads, however I’d also heard that his solo albums were generally a bit more arty and just a little bit pretentious, but a friend of mine advised that this was a good album to take a risk with and …

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It was with Buffalo Springfield where the embryonic talents of Neil Young were first displayed, then his self-titled debut album revealed Neil Young the solo artist, while it was Everybody Knows This Is Nowhere that introduced Neil Young the guitar icon. Everybody Knows This Is Nowhere is primarily remembered for being the first album that …

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Recently Weezer have returned to prominence via their cover of Toto’s “Africa”, and long term fans have subsequently howled in derision at their decision to release a covers album. Actually, it seems that Weezer fans howl in derision to the vast majority of their releases, yet their albums continue to regularly hit the top ten …

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Woah, did I misjudge this album when I first heard it. I’ve never known an album take so long to burn into my psyche, but The Unauthorized Biography of Reinhold Messner is a case where patience and occasional replays eventually pays off. The last of the trio of Ben Folds Five studio albums from their …

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Mule Variations starts with what sounds like a rhythmically capable panel beater knocking seven bells out of a steel filing cabinet with hammers, and it gives you a glimpse of what Tom Waits had been doing in the seven years since the release of Bone Machine. As an album, the deconstructed blues of Mule Variations …

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Career reinventions don’t come much more well executed than Sparks’ recently reissued 1979 album, No.1 in Heaven. While brothers Ronald and Russell Mael had found an enthusiastic audience for their arch intelligent pop in the UK in the mid 70s, reaching a commercial peak with the game-changing single ”This Town Ain’t Big Enough for the …

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Sometimes you hear a band and you go, ‘Yep, that’s for me’. It was like that when I heard Who Killed the Zutons? for the first time. It was, and remains, a pleasingly riffy indie album with added saxophone and an incredibly high tune count. My word. If they continued like this, I may have …

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Terrorvision were one of those acts that really deserved more than they got in the 90s. Forging a sturdy pop metal alloy at a time when so many acts at the time were playing frequently flimsy retro obsessed rock, Terrorvision were no less derivative than their contemporaries, but where others were in thrall to 60s …

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In retrospect Pulp were a band that burned brightly and became hugely important to a generation, but whose work remains oddly preserved in a sort of musical aspic. Although they had been around since the late 70s, Pulp had remained almost comically incapable of making any sort of commercial or critical impact. That remained the …

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