Not Forgotten: Weezer – Weezer (Blue Album)
Recently Weezer have returned to prominence via their cover of Toto’s “Africa”, and long term fans have subsequently howled in derision at their decision to release a covers album. Actually, it seems that Weezer fans howl in derision to the vast majority of their releases, yet their albums continue to regularly hit the top ten …
Classic Compilation: Sam and Dave – The Best of Sam & Dave
Sam and Dave, while not regularly being the first name to spring to the lips of members of the general public when asked to name a great soul act, released as many classic soul tunes as anyone during soul’s golden period. From the brilliant “Hold On, I’m Comin’” (the picture-sleeve of which depicted them riding …
Not Forgotten: Ben Folds Five – The Unauthorized Biography of Reinhold Messner
Woah, did I misjudge this album when I first heard it. I’ve never known an album take so long to burn into my psyche, but The Unauthorized Biography of Reinhold Messner is a case where patience and occasional replays eventually pays off. The last of the trio of Ben Folds Five studio albums from their …
Not Forgotten: Tom Waits – Mule Variations
Mule Variations starts with what sounds like a rhythmically capable panel beater knocking seven bells out of a steel filing cabinet with hammers, and it gives you a glimpse of what Tom Waits had been doing in the seven years since the release of Bone Machine. As an album, the deconstructed blues of Mule Variations …
Not Forgotten: Sparks – No.1 in Heaven
Career reinventions don’t come much more well executed than Sparks’ recently reissued 1979 album, No.1 in Heaven. While brothers Ronald and Russell Mael had found an enthusiastic audience for their arch intelligent pop in the UK in the mid 70s, reaching a commercial peak with the game-changing single ”This Town Ain’t Big Enough for the …
Not Forgotten: The Zutons – Who Killed the Zutons?
Sometimes you hear a band and you go, ‘Yep, that’s for me’. It was like that when I heard Who Killed the Zutons? for the first time. It was, and remains, a pleasingly riffy indie album with added saxophone and an incredibly high tune count. My word. If they continued like this, I may have …