Not Forgotten: Warren Zevon

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Not Forgotten: Teenage Fanclub – Grand Prix

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Album Review: Mark Lanegan – Straight Songs of Sorrow.

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Harry Nilsson was something of an anomaly in the music industry. He was undeniably a top-draw songwriter, however the majority of his best known hit singles were covers. He never performed live, yet such was his reputation as a hell-raiser and general mischief maker, it has subsequently clouded the fact that he was a genuinely …

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With The Beatles having called it a day, Bob Dylan walking in the opposite direction of the psychedleic counter-culture and The Rolling Stones having reached a critical mass they would never exceed, throughout 1970s there was only one band that even vaguely threatened Led Zeppelin’s positiion as the biggest act on the planet. That band …

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It was a sad moment when Fish announced the plans for his retirement back in January. Having been a fixture of the progressive rock scene since rising to prominence in the early 80s as the talismanic vocalist of Marillion, he evolved into an eye-catching and unique frontman, penning the lyrics to the band’s best known …

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The gap between being a ‘serious’ album act and being a ‘disposable’ pop act was still relatively wide back in the early 70s. The more album-orientated acts had a couple of hit singles at most (if indeed they even released singles), whereas the acts that appeared on Top of the pops had hit albums, but …

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For some reason Jethro Tull are never spoken of in the same hushed tones of awe as Led Zeppelin or King Crimson. Or Deep Purple and Yes. Or Wishbone Ash… Quite why that is may be down to the fact that their style was very difficult to pigeon hole and emulate, therefore no one has …

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After years of struggling in the alt-rock wilderness, Yoshimi Battles The Pink Robots was the first release by The Flaming Lips that you could say had been ‘long awaited’ by just about anybody outside of North America. Sure they had their small bands of admirers scattered across the globe previously, but The Soft Bulletin had …

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Having established themselves in the late 60s as Dylan and Stones infused rockers, Mott the Hoople spent the next few years with a reputation of a storming live act whose studio material failed to capture the magic they routinely produced on stage. After four albums for Island Records in which they explored hard rock, country …

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Do you remember when music’s primary function was to provide fun entertainment? It’s something that has been increasingly overlooked in recent years, and the majority of attempts to remind us of it have been dismissed as disposable pop confectionary that it was impossible to take seriously. After all, proper musical statements demand to be taken …

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‘Welcome back my friends, to the show that never ends’ How’s that for a killer opening line? Read it again. It’s brilliant. It’s irresistable, pulling you in, promising a life-affirming musical experience and ramps up the anticipation for what can only be one of the greatest rock albums of all time. Except that it doesn’t …

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From the solo acoustic troubador, to the thunderous rock band in full flight, to the electro pioneer peeping above banks of keyboards and oscillator, there’s few things more thrilling than the experience of music being performed live in front of an appreciative audience. The live album has been a part of the musical landscape ever …

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