Not Forgotten: Eels – Electro-Shock Blues
Electro-Shock Blues might very well be one of the bravest albums ever released. Although Mark Oliver Everett (a.k.a E) had released a couple of solo albums prior to Eels’ debut, 1996’s Beautiful Freak had the tastemakers throwing about wildly optimistic missives about Eels being the great hope for the future of American rock music. After …
Album Review: Steven Page – Discipline: Heal Thyself, Pt. II
Sometimes the most unexpected thing can catch your attention and send you down an avenue and into a field of knowledge that you ever thought you’d end up in. A few weeks ago I heard the recent Steven Page single “White Noise” for the first time, and I really enjoyed it. Minimal research revealed that …
Not Forgotten: Mansun – Six
Twenty years later and the shock of hearing Six for the first time still stays with me. I’d already heard the single “Legacy”, which was one of the best things I’d heard in years, and I’d also stumbled across “Television” on a front-of-music-magazine CD and that was a bit weird. Regardless of this, and as …
Album Review: B.C. Camplight – Deportation Blues
Quite why B.C. Camplight’s How to Die in the North didn’t capture the attention of the music buying public is something of a puzzle. Luxuriant in its arrangements, with a firm grasp of arrangements that recalled the classic pop of the past yet sounded utterly contemporary, and with distinct whiff of someone who understood and …
Classic Album: Blondie – Parallel Lines
Having previously transitioned from first-wave punks to the cutting edge of the new wave, their third album, Parallel Lines, found Blondie as an unashamed pop band, a fact underlined by a production job by former glam-rock hit-producer Mike Chapman. It opens with a trio of deserved hit singles, putting on a show of surprising versatility, …
Not Forgotten: XTC – Mummer
1982s English Settlement had achieved a lot for XTC. Their first top ten album was also home to their first top ten single, and they seemed poised to be one of the key acts for the rest of the 80s. Then, with the worst possible timing, Andy Partridge’s long latent fear of live performance came …