Album review: Matchess’s ‘Sonescent’: an irresistible flow of experimental, meditative drone recollection and conscious absence

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Album review: The Jazz Butcher – ‘The Highest In The Land’: one final pop postcard from Northampton’s foremost gent

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Album review: Black Flower – ‘Magma’: a perfumed souk of North African psych jazz from the Lowlands quintet

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DUNDONIAN Joshua Gray transposes into the musical sphere as Jeshua, and as such, plies a delightful, lo-fi yet soaring line in dreamy, gliding guitar pop which could easily have come adorned in a v23 sleeve for 4AD. He’s resident in that most musically indie of Scottish cities, Glasgow, and he’s pretty new to the scene, …

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ZOON is an artist who’s fully busting it up Stateside, and you can so see why when you go swimming in the deep guitar scorch of his new single “Was & Always Will Be”, which we’ve embedded for you below. Zoon is the musical guising of Daniel Monkman, a Hamilton, Ontario-based musician in love with …

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YOUR favourite leftfield Canadian songwriter, Chad VanGaalen, is shaping up to go public with his accolade as the World’s Most Stressed Out Gardener, his new album for Sub Pop on March 19th; and as part of his podium speech on receipt of that trophy, we can reveal from his hastily scribbled notes, a new track, …

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FOLK singer-songwriter Sarah McQuaid undertook a perigrination from Madrid to the States to Ireland before arriving in mainland Britain’s ultima thule, the deep Penwith peninsula. She’s releasing a series of intimate single videos under the banner the St Buryan Sessions, which will ultimately lead to a full album later in the summer; but for today, …

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LIVERPUDLIAN lo-fi indie combo Oya Paya, who we last bumped into on our daily peramble gosh! all way back in December with the slacker-pop winter warmer of “Focus”, are back! with a complete brainworm of a groovy ditty, “Pretty Slick”, which manages to fuse a wholly bedroom indiepop aesthetic with some verry Eighties’ kinda melodies, …

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NEW BUMS, the duo of Six Organs of Admittance’s Ben Chasny and Skygreen Leopards’ Donovan Quinn, are all set to release their actually really lovely second album, Last Time I Saw Grace, in about three weeks, via the offices of Drag City; and they’ve made it three’s company this very afternoon with a new single …

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MUTE and Spoon Records are proud to announce that they’ve got together in order to begin issuing a series of live performances by the legendary krautrock outfit Can, beginning with Can: Live in Stuttgart 1975, which will be out on vinyl, CD and digitally on May 28th. For those fans who have been mining through the …

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Mike’s a man out of step with chronos maybe, but not with the muse. As with Sonic Cathedral’s Cheval Sombre, who’s beautiful album in a very different discipline we looked at just last week, Mike seems to have time troubling his heart; its grinding linearity, its inexorability; the way it makes you miss things, yearn for things, regret. It’s a clever little record and a lovely one, too

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MEMPHIS INDUSTRIES have sought far and wide in their quest for musical fancies to bring forth unto us; and on the very tip of New Zealand’s North Island, they’ve found the bright and excellent pop of The Phoenix Foundation. Yeah, pop can be a dirty word, can’t it? But herein I mean not the millennial …

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YOU MAY or may not have been blessed enough to have swooned for Clayhill, the cruelly underrated trio who got lumped into the semi-trendy genre ‘The New Acoustic’ by the music press alongside the likes of Lowgold and Kings of Convenience, which definition did them a massive disservice. Seek ye their albums; for further evidence …

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