Album review: Matchess’s ‘Sonescent’: an irresistible flow of experimental, meditative drone recollection and conscious absence

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Album review: The Jazz Butcher – ‘The Highest In The Land’: one final pop postcard from Northampton’s foremost gent

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Album review: Black Flower – ‘Magma’: a perfumed souk of North African psych jazz from the Lowlands quintet

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IT WAS just a fortnight ago that Chris W Ryan, the Irish producer and veteran of many bands on the Emerald Isle scene, unveiled the palate-cleanser of his new project, SORBET; and he did that with the widescreen, theatrical sweep of “I Heard His Scythe”, featuring the Einar-like declamatory tones of Chris entwined with Galway …

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INFINÉ, the French label which has a catalogue for which the adjective ‘eclectic’ is truly justifiable – there really can’t be many (any?) labels which can boast releases by both Mozart and Carl Craig – is debuting an exploratory new album by Romanian pianist and producer Mischa Blanos, venturing out under his own sail away …

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CHLOE FOY, the Gloucestershire singer-songwriter with a knack for a soul-baring lyric all wrapped in a sweet melodic glide, has announced that her debut album, Where Shall We Begin, will be with us just before midsummer; and in celebration of which bottle smashing against the hull, she’s dropped a new single, the hushed depths of …

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SINGER with excellent British folkies Red River Dialect; a man who for many years breathed such essential life into the Cornish music scene, snaring artists such as Jack Rose, William Tyler and Damon & Naomi for performances down at the very bottom of our islands; all-round gentleman, actually, David John Morris, has revealed he’s set …

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LAUDED San Antonio improviser of deep, moving complexity claire rousay has announced she has a new album out in early April for American Dreams, a softer focus, which news will certainly be firing up and down the bush telegraph for those of us who like our music weird and delightful and interrogative; and by way …

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PREVIOUSLY going under the name Trafic des airs, TDA is the newly compressed to initials only, dark industrial mask of Samuel Gougoux, elsewhere a member of Montreal’s no-wave dance-punk band VICTIME. Samuel released a cassette-only EP, titled for the name he’s now adopted, back in August 2019; the drums are so much to the fore …

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MICHAEL TOMLINSON is the main man in the sorta-solo project MF Tomlinson, in which he plys a very neat line in indie folk/roots songcraft with a grainy bearhug of a voice. Australian by birth but based in London, Michael is about to release a six-track album, the rather lovely Strange Time. Quickly following his debut EP, Last …

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Yeti Season? Pretty stunning. Leon is a soundtrack music 10th dan; an absolute master of the craft. Slip Yeti Season onto the decks, you have the most diverse, exciting, retro-soundtrack waiting there for you; there maybe no one better at this kind of the thing in the world right now. One moment R.D. Burman with Piya his Lata Mangeshkar, another Lalo Schifrin, another Piero Piccioni; all are here, ten short films in themselves, these tracks, scenes from a film so ace you have to make it. In your head. Pick yourself up Adult Themes, grab a giant bucket of popcorn, make it a double bill. Absurdly brilliant. Buy.

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Renée Reed’s debut is spun from very clever finery; a flow of tracks, folky and so American and yet so European, psychedelic in the way Devendra is, spectral in the way Marissa Nadler so is; Espers, but less mushroomy. Renée: she’s such a talent. I’m not sure if I want to wake from this particular spell.

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NAOKO SAKATA, the free improvisational piano talent who Anna von Hausswolff just knew she had to sign to her Pomperirossa Records imprint, has released another flowing, epic, impressionistic improvisation from her forthcoming debt album for the label, “Improvisation 2”, which you can hear right here. Based in Gothenburg, Sakata is a good fir for Pomperipossa, …

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