Album review: Matchess’s ‘Sonescent’: an irresistible flow of experimental, meditative drone recollection and conscious absence

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Album review: The Jazz Butcher – ‘The Highest In The Land’: one final pop postcard from Northampton’s foremost gent

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Album review: Black Flower – ‘Magma’: a perfumed souk of North African psych jazz from the Lowlands quintet

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SAN FRAN breaks producer Tycho has been working cross-genre of late with Benjamin Gibbard, frontman of acclaimed US indie outfits Death Cab for Cutie and The Postal Service – not that genre purity is anything to for a second trouble Tycho, whose thoughtful and intelligent downbeatz are entirely sans frontières. They shared the blissful pop of a …

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STUMP were one of those ultra-Peel bands, like The Noseflutes, Bogshed, The Fire Engines, who sorta belonged to the (no doubt press-confected) ‘shambling’ movement of the Eighties – Beefheartian, collapsed, askance, freakishly fun, revealing truths about the world from an oblique perch above it all. They had an all-too-brief moment of notoriety in the public …

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NEW YORK sonic collective Psymon Spine, who push out past the amazing cosmic glitter of Tame Impala and take current indie-psychedelic-disco thinking to other realms, have double dropped two new neon flavours to bring extra sparkle and glow to your Christmas season: a digital double A, “Mr. Metronome” and “Drums Valentino”, both of which are …

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PORTLAND’S lovely The Delines have a first full album in three years coming to us in February, in which they cross country to the Gulf Coast, from there to bring you 11 beautifully wrought tales of lives lived, unremarkable and yet also wholly remarkable, all couched in empathetic retro-soul, lush horns and strings. The album’s …

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BRETON pianist Vanessa Wagner, who began her long romance with the piano aged 7 and who, earlier in her career, released albums tackling the works of Ravel, Rachmaninoff, Scriabine and Mozart, came to something of a crossroads in her musical development in 2016; that year she recorded a collaborative album with Leaf Records’ Mexican electronicist …

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DISASSEMBLER is the nocturnal ambient playground in which visual artist, multi-instrumentalist and producer Christopher Royal King – whose work includes album covers for both Thrice and Deftones and videos for Adult Swim – comes together in a perfumed, ambient post-classicism with violinist and composer Christopher Tignor, in which they look to weave together current thinking …

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BORN and brought up in somewhere he notes as being Nowhere, Florida – trouble is indeed, a lonesome town – and currently using the musculature god blessed him with as a construction worker in New Orleans, Thomas Dollbaum has brought his sights to bear upon the world of music with an absolute heart-wrencher of a …

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WITH DESERVED rave reviews across the board for their second album, Which Way To Happy, out now digitally and with vinyl, cassette and CD following really early into 2022, the lovely Penelope Isles have dropped a new video, this time for the Lily-led “Have You Heard”. They’ve also been added to the bill for Bella …

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LEEDS singer-songwriter Jake Whiskin, a man of considerable and empathetic talent, knows not only the horrible cold of a dank mid-December morning, but the terrible soul-deep chill of awaking into loss from that respite, sleep; count one, two, three and plunge from your dreamworld into a waking, aching nightmare. Out today, is the tender, sparse …

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WEEED are a psych-stoner quartet who began hanging out and rocking the weirder, spliffy end of music together as teenagers, growing up so near yet quite separately to one of America’s big guitar band meccas, Seattle; they hail from across the water in Bainbridge Island, immersed in the glow from the lights from the city, …

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