Album review: Matchess’s ‘Sonescent’: an irresistible flow of experimental, meditative drone recollection and conscious absence

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Album review: The Jazz Butcher – ‘The Highest In The Land’: one final pop postcard from Northampton’s foremost gent

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Album review: Black Flower – ‘Magma’: a perfumed souk of North African psych jazz from the Lowlands quintet

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IT MUST’VE been pretty full-on cathartic and emotional to have been at the UK Government’s Covid-relaxation test gig in the green surrounds of Liverpool’s Sefton Park on the first Sunday in May. Real, actual, open-air live music. And on that bill was Wigan’s absolute cutest, The Lathums, who got to play a ten-song set to …

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YOU KNOW that if no less a renaissance man than Max Cooper is taking enough of an interest in what you’re sculpting in sound to sign you up for his label, Mesh, then you must be doing something not only very right, but also very interesting; Max really these days being at the forefront of …

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THE MYSTERIOUS, cloaked and visored figure you see is Harkness; as with Bob Log III, we know not who sits behind the guise. Best then to turn to what we do know; that he comes from Canada (or indeed, beyond), bearing a very special brand of baroque psychedelia, shifting through the moods and time signatures …

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LEO WYATT comes to us from the heart of the capital with a luxurious and haunting line in expansive, (semi-) acoustic songcraft, and boy, that voice; betcha your bottom dollar that you haven’t heard anyone roll out a song so hauntingly since you first clapped ears on OK Computer. “Call Out” is his second single, …

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PAPER BIRCH is the new experimental lo-fi brainchild of Fergus Lawrie, founder member of cult Glaswegian indie rock scourers Urusei Yatsura (check the low-slung brilliance of “Fake Fur”), and Dee Sada, elsewhere of London experimentalists NEUMES and An Experiment On A Bird In The Air Pump. The two seekers found each other as everything kinda …

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THE self-styled and fully capitalised music, art and video project LARRY PINK THE HUMAN have dropped a new single ahead of a brace of upcoming live dates. “No Wrong No Right” is a spacious skitter of psych-lite guitar, spoken word stream, bass thrum and chanted, wistful yearn to a significant other to recognise what they …

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HAPPY AXE is the gossamer-delicate, intimately confessional dream-folk project of Canberra-born, Melbourne-based Emma Kelly, who’ll be releasing her second album, Maybe It’ll Be Beautiful, early in July. And she’s been kind enough to share a delicate gem from that, her second album; “One Morning” is whispery with reverb, processes through the secret garden on fragile …

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HOXTON’S Lewis Recordings know a little about a mighty fine groove when they hear one. Let that be a matter of record. We’ve covered the doings of the Still Brothers in this pages before, when they dropped the “The Deep”/”Wake Up” on 7″ in the heights of last summer, a cracker inspired by and incorporating …

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FROM times of privation, creativity may arise as a channelling of the anxieties, the energies, of the moments of crisis, Such is the pandemic beginnings of the baggy-psych voyage of upcoming Brit trio Solar Eyes, whose debut offering, “Acid Test”, is with us right here, right now. Solar Eyes is the psychedelic venture of Glenn Smyth, on …

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COMING down valley from Merthyr to sign for Cardiff’s Libertino Records, Welsh-English electro-soul singer Eädyth has just dropped her first single for her new label, the languorous, conscious groove of “Inhale & Exhale”; a song that lets us know for we should sit up and pay attention on two fronts. Firstly, that a new British …

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