See: Sedibus drop visuals for the superb, spacey excursion of ‘Unknowable’, returning to the planet we call ‘Earth’
HE MAY have entered his sixth decade on this particular rock spinning in space – and don’t even get me started on the passage of time, I mean how can this have happened? – but the good Doctor, Alex Paterson, ambient dub techno genius behind The Orb, is ready to roll with a whole clutch …
News: Yann Tiersen announces worldwide tour dates, including London’s legendary Roundhouse; watch the video for ‘Poull Boujer’ from August’s ‘Kerber’
BRETON composer Yann Tiersen has shared the mesmerising new video for “Poull Boujer”, the latest track he’s divulged from his August album for Mute, Kerber – you can watch that below; and announced details of a massive worldwide tour, beginning later this year in North America and coming to Europe in 2022. The dates include …
See: Fatboi Sharif & Roper Williams – ‘Stigmata’: a dark, hallucinatory rap chemistry
CHEMISTRY students, listen up good. Here’s a new formula to examine. Take the wired, wild inventiveness of a Kool Keith; introduce it to the in-your-grill breaks innovation of MF DOOM; it’s gonna make a brilliantly unstable and fun isotope of leftfield hip-hop, right? Indeed it does. As you’ll see for yourself below with the dizzying, …
Album review: The Catenary Wires – ‘Birling Gap’: Amelia and Rob take a look at how we’re doing as an island in folk-rock and fuzzpop
AMELIA FLETCHER and Rob Pursey have been making intelligent British indiepop together through more incarnations than your current, faithful scribe cares to shake a stick at, and thus that stick shall remain firmly static. Their relationship goes right back to the days of the lovely Talulah Gosh, one of many bands tarred only partly accurately …
See: Novelty Island invites you to his Mersey archipelago for the baroque piano pop of ‘Listen’
NOVELTY ISLAND, much like Coral Island but not so much Hilbre Island, though that’s weird in its own way, is part of the mythical archipelago of offshore Liverpudlian islands of the musical mind. Castaway under a solitary palm on this particular shore, with a whole Bond-villain musical laboratory accessible through a hidden hatch, is the …
See: Matt Evans’ ‘Firn’, an evocation of geology, loss, piano and violin wound in tape decay, comes abstracted with VR visuals
THE LOSS of a life partner, an intimate; for many of us an unimaginable experience, and one that words would fail to convey, either in the expression of or the condolences to the mourning. Multi-instrumentalist and composer Matt Evans was left devastated by the death of his partner, Devra Freelander; and as the composer of the …
Album review: Peace Flag Ensemble – ‘Noteland’: intelligent, warm and melodic jazz improv from Canadian collective
LADIES and gentlemen of the more recherché musical persuasion: introducing a new act to especially intrigue the weird jazzers among you, Peace Flag Ensemble, an experimental collective drawn from various points across the verdant central Canadian province of Saskatchewan. The quintet are set to release their first venture into long-playing recordings this coming Friday, June …
See: Adam Stafford – ‘Threnody For February Swallows’: grand avant-classical minimalism cautions against climate change
FALKIRK’S Adam Stafford, the film-maker and folk artist whose lockdown notebook album Diamonds Of A Horse Famine we warmly embraced here last summer – not least because it contained the free-associating “Erotic Thistle” and its fantastic line, surely worthy of some kind of award (and culled from a real life story), “melt down my death …
Track: Cameron Knowler – ‘Lena’s Spanish Fandango’: a tender and plaintive Americana air
TEXAN solo guitar practitioner and melodicist Cameron Knowler – whose lovely, exploratory album with Eli Winter, Anticipation, we fully embraced in early March – has announced he’s to unveil his first solo album on American Dreams, Places Of Consequence, in mid-July. To tempt you further into his world and to pique your curiosity – and …
See: LIP TALK takes a dayglo synthpop brush to endless consumerism on ‘Bargain Day’
SARAH K. PEDINOTTI, the Brooklyn experimental popster who guises as LIP TALK, and who we last saw see-sawing twixt sin and virtue on the psychedelic synthpop of “More”, has dropped another single flirting with the concepts of the vices, the thrumming dayglo silk of “Bargain Day”, coming at pop askew with a little ESG and …