Album review: Matchess’s ‘Sonescent’: an irresistible flow of experimental, meditative drone recollection and conscious absence

Read More

Album review: The Jazz Butcher – ‘The Highest In The Land’: one final pop postcard from Northampton’s foremost gent

Read More

Album review: Black Flower – ‘Magma’: a perfumed souk of North African psych jazz from the Lowlands quintet

Read More

HAILING from California’s Bay Area, and more specifically Oakland for the precision buffs amongst you, The Acharis may just have made one of the darker shoegaze gems of the year with their new album, Blue Sky / Grey Heaven, dropping today The way Shaun Wagner and Mila Puccini combine vocally on recent single “False Positive” …

0 10

EVER a label with an eye out for new funk talent, Jalapeno has hit the man vein yet again with the signing of Birmingham’s Sam Redmore to the dotted line. A good move. In mid-September Sam released “On The One”, an insistent, waay upbeat slice of Latin brass and conscious lyricism brewed up with New …

0 2

HIS CAREER behind the decks and in the studio, fostering the techno scene in his home city of Frankfurt, spanning its third decade now, Chris Liebing shows no signs of either losing his edge nor his acuity at a creating a banger. His new opus, Another Day, is out on Mute just a day more …

0 0

DIMPLE DISCS, the small-is-beautiful home of Damien O’Neill, Cathal Coughlan and others, is staging a trio of bands associated with the label at Islington’s legendary The Lexington early next month – and on the bill are cult Dublin combo Sack, who’ll be appearing in London for the first time in 20 years. The quintet who …

0 3

LONDON-based guitarist, composer and sonic manipulator Leo Abrahams has shared another track of out-six string journeying from next month’s album for figureight, Scene Memory II. it’s called “Harm Organ”, it’s a real hall of mirrors, and you can listen to it below. An alumnus of Marylebone’s Royal Academy of Music, and besides being one half …

0 1

IT BEGINS with slow, almost marine tones, for a brief bar or two; but without warning it launches as a whole other being, a busy Seventies’ cop show break underpinning a melodic run so fast it’s practically liquid. It almost has the feel of a lazy breakbeat burner from the early Nineties, by Pressure Drop …

0 3

IT’S always a really good idea to keep your ear to the ground with what’s happening at Leeds label Come Play With Me’s singles club; the Yorkshire label is one of those essential microscopes into a particular scene, keeping an eye on who’s getting hot in the city and its county hinterlands. Please be upstanding …

0 2

MY THOUGH, he’s quite the singular talent, Benjamin Lazar Davis, isn’t he? The multi-instrumentalist and composer (look, these tunes are so much more than plain written), whose day job sees him locking down the tunes with Okkervil River and Cuddle Magic, besides working with Lip Talk, Joan as Police Woman, &c &c, is to release …

0 7

PENELOPE ISLES, the gorgeous Brighton combo led by brother and sister Jack and Lily Wolter, are releasing their second album this week – that’s cause for joy as winter looms. surely. Until The Tide Comes In, their album from 2019 and first for Simon Raymonde’s excellent Bella Union imprint, was a slice of shoegazey guitar …

0 3

MANCHESTER’S Lindsay Munroe is, it’s fair to say, someone whose voice you can fall for on first encounter. I speak from personal experience here; I’d been writing for Backseat Mafia for what? … days, really, when I got offered the chance to pick up a lead single from last year’s Our Heaviness EP; I went …

0 1