Album review: Matchess’s ‘Sonescent’: an irresistible flow of experimental, meditative drone recollection and conscious absence

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Album review: The Jazz Butcher – ‘The Highest In The Land’: one final pop postcard from Northampton’s foremost gent

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Album review: Black Flower – ‘Magma’: a perfumed souk of North African psych jazz from the Lowlands quintet

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MARK TWAIN once said, it is noted, about Cincy, The Queen City, out there in Ohio: “When the end of the world comes, I want to be in Cincinnati; because it’s always twenty years behind the times.” C’mon now Mark: great writer you may have been, but is that entirely fair? Well, it’s had it’s …

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THE DELICATE and psychogeographic recent canon of Orcadian Erland Cooper has, to partially quote Camper Van Beethoven, “increased by exactly one” today, with the release of the gossamer piano yearn of “Holm Sound” ahead of this Saturday’s Barbican performance. He evokes in sound that stretch of water separating Mainland from Barray, adjacent to the village …

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BROOKLYN’S unparalleled Big Crown, who know soul and a brilliant retro groove when they see one, have decided to go a-peerin’ into the vaults, bringing some lost session treasure into the light; and to this end they’re launching a new series that does exactly what it says on the tin: Big Crown Vaults. The label …

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HOT off the back of her brilliant – nay, jawdropping – debut single, “Bone Of Contention”, London singer, songwriter and psychotherapist Laura Fell today releases “Cold”, yet another slice of intelligent acoustic songsmithery – with that voice. If you didn’t catch up with “Bone Of Contention”, follow through on the link above; prepare to swoon …

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CAROLINE CATZ’S hotly anticipated new film about the life of Doctor Who theme writer and all-round early electronica genius Delia Derbyshire: The Myths & The Legendary Tapes is to be premiered by the British Film Institute as part of the 2020 London Film Festival in the middle of this month. The conceptual, atmospheric journey into the …

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OPTIC NERVE, the wonderful Preston label that tickles the delighted fancy of any indie kid, has just announced the third edition of its singles club, which in the past has brought us such brilliant (and entirely unexpected in the 21st century) 7″ reissues as The Revolving Paint Dream’s “In The Afternoon” and One Thousand Violins’ …

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Daylight Savings loses absolutely zero of their off-kilter cinematic charm in stepping up from their debut, All News Is Good News; it’s really very ace

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The Killing Of Eugene Peeps is an album that hits the previously uncharted sweet spot between Americana, 60s’ European soundtracks and hiphop. It’s clever, reflexive, intriguing, questioning. One of the records of the year. Buy.

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Silver Ladders speaks of an open correspondence with place, with dialogue, with the elements. It’s happy to embrace the darker side of being. As such, maybe it’s a departure from the pristine shimmer of Hundreds Of Days; but it will provide incredibly rewarding autumnal exploration.

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Paradise Cinema, the self-titled project of Portico Quartet’s Jack Wyllie, sings of new Afro-ambient futures to immerse in. It’s vivacious, swathing and haunting

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