Album review: Matchess’s ‘Sonescent’: an irresistible flow of experimental, meditative drone recollection and conscious absence

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Album review: The Jazz Butcher – ‘The Highest In The Land’: one final pop postcard from Northampton’s foremost gent

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Album review: Black Flower – ‘Magma’: a perfumed souk of North African psych jazz from the Lowlands quintet

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GAZELLE TWIN: love her or baffled by her, you cannot deny the deep, artful, playful, pranksterish, eerie, sheer damn potency of her work. The creative extension of composer Elizabeth Bernholz, her last album, Pastoral, held a mirror up to the steadfast old folk tales and traditions of Merrie England, fucked that mirror into unimaginable and truer …

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ELVIS PERKINS has dropped a beautiful papercut video for “See Monkey”, a brilliantly wry, songwriting auteur cut from his latest album, Creation Myths, which you can watch below. “See Monkey” is a confection of mournful brass announcements, piano with the pacing of Father John Misty or just-solo Lennon, over which Elvis sets about with gnomic, …

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Soothsayers’ latest tickles your ears in all the right spots; the music evolves and shifts from a strong and aware roots through jazz and Afro and more, all the while softly educating you and guiding you and letting you know you have to be watchful, stay alert, and also stay strong and connected. That’s how we’re gonna get through all and any of this.

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Coldharbourstores’ fourth is absolute industry standard dreampop – a hallmark by which the genre can be measured. It’s glowing, blissful and leftfield, while still being full of pop melodicism

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LOST MAP’s smoothly sweet singer-songwriter Martha Ffion is pleased as punch to announce (as should we be) a live-streamed session this week. The live sesh has been commissioned by Lost Map as part of the label’s Postmap Club: a proper, old-fashioned club with real actual postcards, badges, first dibs on things, newsletters, remixes, exclusive tracks, …

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BRITISH leftfield saxophonist and composer Samuel Sharp, who has previously partially hidden his light under the recording name Lossy – and whose lovely, dubby, impressionistic single release “Fireworks From The Tower” we had the pleasure of covering here – has announced a new album, Patterns Various, which he’ll be gracing our senses with come mid-February; …

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LA’S lovely Phoebe Bridgers releases a new four-track EP, Copycat Killer, on Dead Oceans on December 4th; it features all-new recordings of songs from her critically acclaimed album Punisher from earlier this year. She’s given them a different spin from the Punisher versions, pulling them away from their adorable lo-fi roots and towards a cinematic, …

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IT’S BEEN days, mere days, since Will Dorey, the quiet, guitar-playing minor genius behind Skinshape, dropped his last single, Arrogance Is The Death Of Men – a sun-blissed shuffle, languid on the surface but with an angry, conscious current of lyricism about where we’re at underneath. But then, it’s been a busy year creatively for …

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THE ELEVENTH Scottish Alternative Music Awards (SAMA) ceremony was held – with the privations of the virus this year – online on Wednesday gone, November 18th. This year’s virtual ceremony to recognise the best new Scottish music was streamed globally via Twitch, with viewers from across Europe, the USA and even Brazil. Radio DJ and …

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LLAWGNE is the musical guising mask of Mathias Engwall, an artist working out of Gothenburg with an ear for the heady rush of dreampop and shoegaze. He’s learnt his trade over at the other side of the soundproof glass, producing, mixing and mastering – but he’s all set to release an album for US indie …

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